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...simply that Alex is a fool for punishment. He makes his living from it. He pulls down a hard dollar as a bail bondsman and indulges in much gruff whimsy during working hours. "What's the good word?" a gangster client asks him innocently. Alex pounces: "Sunset is a good word. Pretzel is a good word." At last, the gypsy stirring in her soul, Maritza jumps the bail that Alex has posted for her assault rap and heads for Mazatlán in a private plane, accompanied by a rich gent with a lickerish eye. Alex, who has spent...

Author: /time Magazine | Title: Cinema: Time to Bail Out | 11/1/1976 | See Source »

...would expect Church, the most spectacular practitioner of the 19th century sublime, to paint as downright a piece of patriotic kitsch as Our Banner in the Sky, where a gaunt tree and a streaky sunset compose themselves into a double image of Old Glory streaming from its pole...

Author: /time Magazine | Title: Art: Eyeball and Earthly Paradise | 10/18/1976 | See Source »

...most of the drama of the show. Their medium is light, perceived in elaborately religious terms as the direct speech of God. Very little in 19th century European painting, except for J.M.W. Turner and John Martin, prepares us for the burst of patriarchal radiance that Ms Bierstadt's Sunset in the Yosemite Valley, 1868. The sun is hidden by a crag as though it were the unspeakable name of Yahweh. When Frederic Church painted Cotopaxi, 1862, he deliberately invoked the creation of the world-a panorama of sifting red light, boiling vapors, lakes emptying over the abyss...

Author: /time Magazine | Title: Art: Eyeball and Earthly Paradise | 10/18/1976 | See Source »

...courtesies. In courtrooms, black witnesses were usually called by their first names or "uncle" or "gal." In some Southern towns, blacks were obliged to step off the sidewalk into the street to make room for passing whites. In some areas they were warned to be out of town by sunset. The few black policemen could not arrest whites...

Author: /time Magazine | Title: Special Section: Things You Didn't Do, Boy | 9/27/1976 | See Source »

Natalie (Capitol). From the end of the '40s until well into the '60s, the late Nat "King" Cole held sway with mel low, foggy-voiced renditions of easygoing ballads like Too Young and Red Sails in the Sunset. Last year Daughter Natalie, 26, released her debut album In separable and picked up a pair of Grammys for her trouble. Cole's second LP confirms a talent that makes her a strong contender for Aretha Franklin's title as queen of soul pop. At her best getting down with hand-clapping, shooby-dooby funk, Cole tends toward...

Author: /time Magazine | Title: Music: Tops in Pops | 8/23/1976 | See Source »

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