Search Details

Word: superbeings (lookup in dictionary) (lookup stats)
Dates: during 1940-1949
Sort By: most recent first (reverse)


Usage:

...current crop of basketballers are mostly freshmen, small and inexperienced. The star of the team is 5 ft.11 in. Center Jack Allen, a superb dribbler and a deadly shot from just beyond the foul circle. In most of the other positions, Keaney keeps shuttling substitutes in & out with instructions to run until they tire, then signal for relief. By this simple method, which has proved effective in Keaney's 27 years at R.I. State, his fast little men recently trampled powerful St. John's in New York's Madison Square Garden...

Author: /time Magazine | Title: Sport: Firehouse Frank and His Boys | 1/20/1947 | See Source »

...flubbed the simplest shots and lost the first set, 3-6. Then Schroeder, who plays with his mouth open, his tongue out and blowing ferociously, began to use his best weapon-a net game. He rushed the net at every chance, smashing beautifully and volleying down the lines with superb accuracy...

Author: /time Magazine | Title: Sport: The Cup Comes Home | 1/6/1947 | See Source »

Your review of Dali's illustrated version of Macbeth [TIME, Dec. 9] was superb...

Author: /time Magazine | Title: Letters, Dec. 30, 1946 | 12/30/1946 | See Source »

...Mozart Requiem Mass, a work which despite its important position in the composer's creations and among all the works in the Mass form has been available heretofore only in an inferior and abridged Victor version by the Pennsylvania Bach Choir. In this Cetra recording of the Requiem a superb orchestra and tremendous chorus combines with such soloists as Ferrucio Tagliavini, thrilling young tenor who will soon appear with the Met, to produce an effect altogether superior to that of the American set. Particularly outstanding is the recording technique: the more than 120 voices and oversized orchestra performed the mass...

Author: NO WRITER ATTRIBUTED | Title: The Music Box | 12/11/1946 | See Source »

...musical excellence of Goldovsky's effort also suffered somewhat from the mediocrity of several of his singers. Robert Gay and Francis Barnard in the leading male roles of the Count and Figaro, respectively, lacked both the force and training essential to good Mozartean baritones. Luigi Vellucci, however, surprised with superb performances in two roles, the comic ones of Basilio and Curzio...

Author: NO WRITER ATTRIBUTED | Title: The Music Box | 11/25/1946 | See Source »

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