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...putting both performers and audience on edge, Saturday's performance was full of emotional intensity. Tzeng has a lovely voice, well showcased in her many solos, particularly in "Someone Else's Story" and "You and I." Her character, while very serious and strong, was also refreshingly funny. Wu was superb as the quiet, reserved Anatoly, while Kim made a convincingly despicable Freddie...

Author: By Jamie L. Jones, | Title: A Game of 'Chess': AAA Players Update Cold War Musical | 4/10/1997 | See Source »

...superb person, a superb human being, all the right values, all the right concerns about the institution and the people," Rudenstine said...

Author: By Matthew W. Granade, | Title: Fineberg Is Named New Provost | 4/4/1997 | See Source »

Despite the tension surrounding the program, the performances were superb. Galway performed the Quantz concerto with a reduced orchestra. He directed the first few bars of the piece, then took up the solo theme. His was a crystalline sound, rich in the lower registers and piercing in the higher range. He attacked the beginning of each phrase and sustained his brilliant sound through each seemingly impossible passage. His playing seemed to be in a different realm from the other musicians. It was difficult to associate the beautiful bubbling sound the produced with notes on a page. The orchestra...

Author: By Jamie L. Jones, | Title: Peculiar Partners: The Piper and the Pops | 4/3/1997 | See Source »

...soloists--Ellen Hargis, soprano, Laurie Monahan, mezzo soprano, William Hite, Frank Kelley and Arthur Rishi, tenors, and Paul Guttry and David Ripley, bass--were superb as well. Hargis was particularly impressive; she is a specialist in pre-Baroque music, and it shows. She captured the Renaissance style perfectly, demonstrating complete control over her voice so that there was no excessive vibrato, yet no shrill tone. Also greatly enjoyable was the tenor dialogue in the Audi coelum (IX), in which Hite sang his responses to Kelley from the balcony...

Author: By Felicia Wu, | Title: H-R Collegium Musicum Performs Monteverdi Magic | 3/13/1997 | See Source »

...singers' fault--at least not musically. In the usual Lowell House tradition, most of the soloists are recruited from the New England Conservatory, classical music and choral groups around town, and the Boston Conservatory. Saturday night's cast was superb, particularly tenor Richard Munroe (the duke of Mantua, to be played by Thomas Oesterling next week) and soprano Kaja Kjestine Schuppert (Gilda...

Author: By Lynn Y. Lee, | Title: Lowell House Opera Presents Verdi With a Spot of 'Grease' | 3/13/1997 | See Source »

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