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Films that depend on strong personalities, as opposed to strong language and strong biceps, require talented actors. Nicholson easily meets those requirements. His portrayal of Jake Gittes is superb. Nicholson's screen presence is second to none, and The Two Jakes, with good reason, draws heavily upon it. The rest of the cast, particularly Stowe and Keitel, perform well under Nicholson's strong direction. The only performance that may appear a bit off center is Tilly's, but considering the cirumstances of Kitty Berman's life, it might be expected...

Author: By Garrett A. Price iii, | Title: For Nicholson, Better Late Than Never | 8/17/1990 | See Source »

...really be. Very graphic. Graphic enough to disturb, but isn't that in some ways the responsibility of art? To unsettle us, to define for us the extent of our own sensitivity to images that are real and true. The graphic photos, after all, are as aesthetically and technically superb as the rest of the images. We are not reacting to something in them as much as we are reacting to something in us, that establishes boundaries of so-called taste and tolerance...

Author: By Ali F. Zaidi, | Title: Expressions and Impressions | 8/10/1990 | See Source »

...special effects are superb. When the Ghostdad haunts the neighborhood brat he proves that an avenging angel still can have a good laugh. And the trip to the doctor's office shows some remarkable creativity without relying too heavily on computer animation and other techniques...

Author: By Stephen J. Newman, | Title: Ghostdad Will Have You Die Laughing | 7/13/1990 | See Source »

...kingdom of Transylvania in Romania, three decades of Ceausescu misrule have emptied shops and condemned people to a dreary life in ill-lighted, poorly heated apartments. But the Ceausescu era did not kill the arts. At a recent Rachmaninoff concert performed by the Cluj Philharmonic Orchestra, the pianist was superb. Cost: less than...

Author: /time Magazine | Title: Travel: Lanes into The Past | 6/25/1990 | See Source »

...Britons did on the Main Stem. And Broadway's musical hits were homegrown, while most London musicals of consequence featured American creators, recycled American songs, American topics, or all three, and were generally mediocre to boot. Fortunately, three British stalwarts -- a writer, a director and an actor -- have mounted superb tragicomedies that give the season's tag end a renewed hope for dispirited audiences and a belated enticement to American tourists...

Author: /time Magazine | Title: Theater: Lord Love a Wild Duck | 6/11/1990 | See Source »

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