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Natalia Goncharova's "Grain Harvest"(1908)--the only work of a woman in theexhibit--is a superb example of the "primitivist"folk art. The painting reflects a deliberateattempt at distortion: the trees are blue, anoutline of a cat is painted broadside on the roofof the house, and the geometric regions of intensecolor are startling to say the least. But thesubject of the painting is still traditionalrather than abstract--we see three women hard atwork on the farm...

Author: By Maurie Samuels, | Title: From Russia With Love | 4/23/1987 | See Source »

...probably should not be, a star vehicle. A.B.T.'s version, which was introduced on tour and will open the company's season at New York City's Metropolitan Opera House next week, is a lively, intelligently conceived Beauty, performed with panache by mostly young dancers in superb form. They have mastered the steps, and the mime and the manners too. Four women have already danced Aurora, and there will be more. No one "owns" the part, and that may be just as well...

Author: /time Magazine | Title: Dance: A Glimpse into Fairyland | 4/20/1987 | See Source »

...This is more like the Harvard team we expect to see on the field," Wentzell said after the Penn games. "Pitching was superb, and the hitting was vastly different...

Author: By Jennifer M. Frey, | Title: Batswomen Do Split | 4/13/1987 | See Source »

...Coens are superb writers and great technicians, and a great deal of the fun in the film stems from their smooth competence. They'll strap a Steadicam to anything that moves, and the results are sometimes extraordinary. Even if some of their visual jokes are stolen--like the Mad Biker blowing up bunnies with a hand grenade--they remain surprising and funny. The sequence in which H.I. is chased through a suburb by the police, a heaving armed albino convenience store clerk, and a pack of dogs deserves a special Oscar for Gratuitous Tension in a Feature Film...

Author: By Peter D. Sagal, | Title: The Coens Raise a Little Cain | 3/27/1987 | See Source »

Just as the moral center of Hugo's Les Miserables is Valjean, so the driving force of the stage show is Colm Wilkinson. An Irish singer largely untrained as an actor until he originated the role in London, Wilkinson, 43, has a superb pop-rock voice, whether in the assertive Who Am I or the wistful Bring Him Home. Unexpectedly, he encompasses the outsize moral stature of Valjean, making believable both his general saintliness and his outbursts of animal ferocity. Only one other member of the original cast is in the U.S. company: Frances Ruffelle, who as a tomboyish adolescent...

Author: /time Magazine | Title: Theater: An Epic of the Downtrodden | 3/23/1987 | See Source »

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