Word: superbeings
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...collector of folklore and legends, especially from Morocco, where he has lived on and off since the early 1930s. There he and his wife, the late novelist Jane Bowles, presided over a lively colony of literary émigrés and pilgrims. Bowles translated Sartre and founded Antaeus, a superb quarterly; his publications include novels (The Sheltering Sky. Let It Come Down), collections of poetry and short stories, travel essays, oral histories translated from the North African Moghrebi dialect and an autobiography. His work has been highly esteemed by other writers, including a few (Norman Mailer, Gore Vidal) with...
...dust-jacket photograph, a tiny woman of 95 Ibs., with the figure of a spare 14-year-old. She stares out with the enormous, haunted eyes of a Keane waif, of a wounded bird, menaced and fragile. Readers who have grown over the years to admire the superb moody intelligence of Joan Didion's prose have first had to learn that this alarming vulnerability is an affectation and a part of her strategy as a writer. Despite all the fits of weeping and the killer migraines and the California dreads that blow across her novels and essays like...
...threat to his celebrated countryman Steve Ovett, 23, who until last week was the top-rated miler around. Ovett had cockily predicted that any winner at Oslo would find victory "hollow," because he was not entered. Afterward, he graciously credited Coe with "a superb piece of work...
...Roger Moore proves that his two-time failure to live up to Sean Connery's characterization of the super-spy is more the fault of poorly written dialogue than Moore's often overdone tongue-in-cheek manner. In the current film, Moore and screenwriter Christopher Wood do a superb job of reanimating the classic 007 without going to gory extremes or poorly disguised reruns of former 007 themes...
What redeems these stereotypes is the controlled, idiosyncratic performances of a superb supporting cast. Director Siegel (Dirty Harry) never lets an actor go overboard. The same lean quality is visible in his film making. With the help of Bruce Surtees' elegant, metallic-hued cinematography, Siegel makes every point as economically as possible. His style is the visual equivalent of John D. MacDonald's prose, which serves this kind of material well. The tension builds so naturally that neither hokey music or contrived menace is necessary. Only once does Siegel lose control - in a jarringly graphic finger-chopping scene...