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...styles. He is our Sinatra. Watts now reigns as undisputed King of the Skins; his jazz- and reggae-influenced drumming is the band's gasohol. Watts single handely saves at least two songs on the album from mediocrity and lifts one to brilliance. The bass playing is at times superb, and probably Ron Wood's; elsewhere it is merely workmanlike, and probably Bill Wyman's. Over the years the Stones have acquired a nonpareil corps of sidemen, and sax Bobby Keys, harmonica Sugar Blue, and Keyboards Nicky "Jamming with Edward" Hopkins and Ian Stewart perform with their customary elan...

Author: By Paul A. Attanasio, | Title: The Man Who Loved Woman | 9/8/1980 | See Source »

...sexist, racist, sadistic, whatever, but that attitude has always struck me as priggish and unimaginative. At least until I sat through 12 torturous, claustrophobic hours at the Orson Welles and realized that even I--a horror buff since age six--had my limits. (The marathon did, incidentally, feature three superb films: Georges Franju's Eyes Without a Face, Peter Bogdanovitch's Targets, and Terence Fisher's Frankenstein Created Women, the latter boasting a marvelous performance by the superlative Peter Cushing.) I haven't lost faith in the form: horror has traditionally brought kids through adolescence with reduced turmoil, providing them...

Author: By David B. Edelstein, | Title: The Monsters Within Us | 9/8/1980 | See Source »

...ships were superb performers. Because of a surprisingly effective design and careful use of fuel, they far exceeded their anticipated lifetime of 90 days. Before the demise of the orbiters-the first went silent in 1978-they sent back 51,539 photographs, including a final series of color views of Tharsis Ridge, site of three major volcanoes with an average elevation of 17 km (10.8 miles) and two smaller ones. Besides confirming past volcanic activity, Viking provided closeup glimpses of the reddish, rocky Martian soil, monitored weather changes including violent dust storms and discovered significant quantities of water (as atmospheric...

Author: /time Magazine | Title: Science: Farewell to the Red Planet | 8/18/1980 | See Source »

...each of them with unusual depth. Only Makepeace's Clifford is awkward at times. He must be the wimp and the hero at once, a difficult role for any actor, and a task just beyond Makepeace's grasp. But Baldwin and Matt Dillon, as big bully Melvin Moody, are superb in roles no less difficult. As for the adults, Martin Mull and John Houseman appear fleetingly, and Ruth Gordon sticks to her tried-and-true role as a sex-hungry...

Author: By David Frankel, | Title: School Days | 8/8/1980 | See Source »

...styles. He is our Sinatra. Watts now reigns as undisputed King of the Skins; his jazz- and reggae-influenced drumming is the band's gasohol. Watts singlehandedly saves at least two songs on the album from mediocrity, and lifts one to brilliance. The bass playing is at times superb, and probably Ron Wood's; elsewhere it is merely workmanlike, and probably Bill Wyman's. Over the years the Stones have acquired a nonpareil corps of sidemen, and sax Bobby Keys, harmonica Sugar Blue, and keyboards Nicky "Jamming with Edward" Hopkins and Ian Stewart perform with their customary elan. The production...

Author: By Paul A. Attanasio, | Title: The Man Who Loved Women | 8/1/1980 | See Source »

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