Word: supergroup
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...from the concert's live triple album went to UNICEF. Paul McCartney followed suit with a 1979 collaboration, cheekily dubbed Rockestra, for the victims of Pol Pot's purges in Cambodia. The first certified charity smash didn't arrive, however, until 1984, when Band Aid--a British and Irish supergroup that included Sting, Bono and George Michael--recorded "Do They Know It's Christmas?" to benefit African famine victims. The effort raised some $18 million and was soon copied across the pond by USA for Africa with "We Are the World," which quickly became the best-selling song...
...James Iha joins supergroup Tinted Windows...
Them Crooked Vultures are a bona fide supergroup. Consisting of Josh Homme (Queens of the Stone Age), Dave Grohl (Nirvana and Foo Fighters), and John Paul Jones (Led Zeppelin), they form a formidable lineup of rock’s elder statesmen both past and present. Despite the impressive breadth of the band’s talent, however, it is Homme who controls the group. Dominated by aggressive and fast-paced hard rock, the band’s self-titled debut feels very much like a continuation of Homme’s prolific career, and that is precisely...
...beautiful piano intro by Jones. Like Grohl’s drumming, Jones’s bass contributions are not highlighted and he seems a little overshadowed by his illustrious bandmates. Despite these issues, “Them Crooked Vultures” is an undoubtedly successful debut for the supergroup. In fact, this is the most essential any of the three members have sounded in years. With Jones restored to prominence thirty years after his career high, Grohl returning to the hard rock his drumming talents are suited for rather than the classic rock sheen of Foo Fighters, and Homme freed...
...there is one term in popular music that exemplifies misnomer, it is “supergroup.” Coined to describe Cream, a band whose members did their best work together, its meaning has changed radically over the years, such that any assortment of has-beens are dubbed a “supergroup” when they are anything but. To mention two supergroups of this decade, Audioslave euthanized the fury and passion of Soundgarden and Rage Against the Machine into dull, MOR post-grunge, while Velvet Revolver strengthened the case for a mandatory retirement age for heavy metal...