Word: superheroics
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Dates: during 2000-2009
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...world title in 1930, and launched a famous rivalry when he knocked out American challenger Joe Louis in 1936; his loss in a 1938 rematch in Yankee Stadium became emblematic of the coming struggle with Nazi Germany. But he was miscast by Hitler as an Aryan superhero. He refused to join the Nazi Party and after the war, it was disclosed he had saved two Jews from attack in the Kristallnacht violence of 1938. A quiet philanthropist, he befriended Louis later in life, even paying for the impoverished former champ's 1981 funeral...
...Jack Sharkey on a foul in 1930. In 1936 he launched a famous rivalry when he knocked out U.S. challenger Joe Louis; his loss in a 1938 rematch at Yankee Stadium was hailed as a national triumph over Nazi Germany. But he was miscast by Hitler as an Aryan superhero; he refused to join the Nazi Party, and after the war, it was disclosed that he had saved two Jews from attack in the Kristallnacht violence in 1938. He befriended Louis later in life, quietly giving the impoverished former champ money and paying for his 1981 funeral...
...taught artist, Hornschemeier, 27, says that when he was growing up in his hometown of Georgetown, Ohio, his access to comics was limited to what he could find at the county fair and in dentists' offices. As "the kid in school who could draw," he had ambitions of creating superhero comics until, he says, "my stories were getting much less superhero-y and much more about a guy sitting in his bedroom wondering what he's going to do for the day." He had never read comics that explored personal issues, so he gave up on the idea. Then...
...Dollman and Sheena, Queen of the Jungle. Later he created the Spirit, a witty antihero with no superpowers who roamed back alleys in search of bad guys, and wrote one of the first graphic novels, about a Bronx, N.Y., slumlord, A Contract with God. "My interest is not the superhero," he said, "but the little man who struggles to survive in the city...
...very impressed during the 1970s with French comics that were very high contrast black and white drawings by artists like Tardi or Hugo Pratt, who came from Italy. And I was very influenced in art by the expressionist work of George Grosz. I was not very fond of superhero books. For me comics are not so different from literature or movies or theater or the other cultural things I took in during the period of the book...