Word: superheroics
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...ability of the superhero to carry serious graphic literature has been a polarizing subject in the comics world since at least the 1960s. Hardcore fans of indie creators see superheroes as mere kid's stuff, while fans of traditional superhero books insist that the genre can be used to explore all kinds of sophisticated, adult concerns. As with any question of art, no definitive answer will ever be reached, but some fresh thoughts came to mind on the subject thanks to a new series by Paul Chadwick, Concrete: The Human Dilemma, and a recent panel I attended on the future...
...wildly eclectic mix of participants on the panel, convened at the annual publishing industry tradeshow Book Expo America, included indie creators Adrian Tomine (Optic Nerve) and Charles Burns (Black Hole) with superhero/pulp auteur Frank Miller (Sin City) and novelist-turned-superhero-comics writer Brad Meltzer (Identity Crisis), who sat next to comic autobiographer and movie celebrity Harvey Pekar (American Splendor.) Thanks to Pekar's irrepressible personality, things got a little warm when he denounced superhero books as "escapist" and worthless when there were more important things to spend your energy on like "getting Bush out of office." Meltzer later gave...
...policy wonk with a supernatural body to live. He explores the world and does good deeds where he can. Past stories follow him climbing Mount Everest, working to save a family farm and being hired out as the bodyguard of a paranoid rock star. Using the tropes of the superhero genre, where Concrete often finds himself thrust into life-or-death adventures, Chadwick weaves in broader themes of the environment and social issues, along with the humorous quotidian details of Concrete's life as a walking boulder, such as his difficulties with unsupportive furniture...
...scene looks exactly like something from a mainstream superhero book, but with important differences. Thanks to starting his career drawing a different kind of loser hero, Marvel's ill-conceived Dazzler series, about a crime-fighting roller disco queen, Chadwick knows the basics of the mainstream look. Using the best of that style, such as its dramatic angles, to create dynamic pages, Chadwick also infuses the artwork with quirks, like the frequent use of X-ray shots into a character's body, so that no one could mistake it for mere hackwork. Another major difference between The Human Dilemma...
Most contestants opted for nontraditional formal-wear—Workman, clothed in denim shorts and a large black wig, was escorted down the aisle by a gorilla. Lowe chose to cavort down the steps in a glamorous drag costume, and McCambridge soared to the stage dressed as the Winthrop Superhero Mr. Incredible...