Word: superheroism
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Dates: during 2000-2009
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...theater than a franchise starter, is led by Maguire. The young star, a quiet, thoughtful presence in Wonder Boys and The Cider House Rules, can seem like an alien sent to observe earthlings. Here he's highly muscled but still sensitive; he certainly cries way more than your standard superhero. Raimi directs the film at Maguire's pensive pace. Some scenes are just inert. Whole swatches of Spider-Man play like a $139 million indie film...
...clamoring for film versions of its favorite comics, as well as a ready-made lineup of characters, story lines and personal histories. I read only one issue of The Amazing Spider-Man but what really sucked me into the Marvel world was my brother’s stack of superhero trading cards, with profiles, stats and full-fledged character bios on the back of every one. Most of the heroes, and even some of the villains, had just that—character. Marvel’s repeated box-office failures became, then, something of a mystery...
Only in 2000 did Marvel and Fox finally hit the right formula with X-Men and get their first whiff of sweet-smelling success. Apparently, X-Men had that little extra something. Scratch, scratch. It is this simple. A comic-based film needs a truly super superhero. He needs to be the kind of guy every girl wants to date, and every guy wants to be. A superheroine needs sex appeal oozing from every inch of her vinyl suit and a superpower image that screams‚ don’t mess with...
...happy-go-luckiness. Going through my brother’s Marvel trading cards, the heroes I kept coming back to were the beautiful ones whose stories were laced with some kind of sadness, heroes like Rogue, Phoenix, Wolverine and Cloak and Dagger. The best kind of superhero struggles with a crippling weakness, a desire he/she can never fulfill, or, like Spider-Man, a tragic past that motivates his heroic deeds. Spider-Man fights criminals because they killed his dear Uncle Ben. So swoon, people, swoon. To the relief of comics-fans everywhere, director Sam Raimi seems to understand this essential...
...five-issue "Grip: The Strange World of Men." With his brother Jaime, Gilbert's work on "Love and Rockets" set the benchmark for an entire generation of post-underground comix artists. (They were selected as one of TIME's 21st Century Innovators.) Though the publisher better known for its superhero "properties" clearly didn't know quite what to do with it, Hernandez's "Grip" combines all the elements that have gone into making his work so celebrated...