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Word: superhumans (lookup in dictionary) (lookup stats)
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...flaring tail feathers. Sidney Geist, author of the leading study of Brancusi's work and guest curator of the current exhibition, puts the matter succinctly: "Enviable in its scope, dazzling in its perfections, tentative only in its repetitions, the scale of this effort is human rather than superhuman...

Author: /time Magazine | Title: Art: Brancusi: Master of Reductions | 10/17/1969 | See Source »

...York City Opera's production reflected the music in a swirling fantasy of galaxies, bursting stars and mythic clouds. If the production dragged, it is partly because Boito's talent for invoking the superhuman exceeded his skill at projecting the merely mortal...

Author: /time Magazine | Title: Opera: Sermons and Satan | 10/3/1969 | See Source »

...primitive vigor but equals its obsession with pathology: leukemia, gall-bladder trouble, heart disease, neurasthenia and nymphomania play important roles. One man is terrified of losing his genitalia; another surrenders them gladly in order to become a woman. The central character, a power-mad television executive with a superhuman capacity for vodka and coitus, is mysteriously incapable of love and marriage. The explanation is only a cut above those delivered in Hollywood psychodramas of the 1940s in which a white-coated mental hygienist resolved the plot with a five-minute dissertation on the Oedipus complex...

Author: /time Magazine | Title: Books: Jackie's Machine | 6/20/1969 | See Source »

...physical making process so much more prominence than Mirko ever does. And there's Morris Louis, whose name and stripes of color are better known at Harvard than is Mirko. The action painter, the flat painter, the minimalist, the happening-creator, the sculptor of simple geometric forms at superhuman scale (Tony Smith, for one)--these are the fantastically novel stars...

Author: By Nina Bernslein, | Title: Mirko at the VAC: A Magical Mystery Tour | 11/25/1968 | See Source »

...very nature of drama to enter into the spirit of opposing characters. He is not a judge; he is a creator. The job of shifting oneself totally from one character to another-a principle on which all of Shakespeare and all of Chekhov is built -is a superhuman task at any time." What makes the playwright's task more difficult today is the death of certain theatrical conventions: "The lukewarm virtues of good craftsmanship, sound construction, effective curtains, crisp dialogue have all been thoroughly debunked...

Author: /time Magazine | Title: Directors: Deadly, Holy, Rough, Immediate | 11/8/1968 | See Source »

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