Word: supermodels
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Dates: during 2000-2009
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...wise choice at all. Indeed, that may explain why Bella Swan, heroine of the “Twilight” series, is so eager to throw away her human life to become a vampire like her beloved Edward. Can you blame her? She’ll have supermodel good looks, super speed, super strength, and hopefully better coordination. If she plays her cards right, she may even become rich like the Cullens and own a nice...
...Neil Munn says the denizens of Madison Avenue and Soho aren't competing with clients, they're creating products that their market research indicated consumers wanted but couldn't buy. For example, Zag started Dogside, a line of high-fashion dog accessories (with Bella, the labradoodle of supermodel Elle MacPherson, enlisted as its face), because it determined there were no dominant brands in that sector. Some agencies began creating brands before the recession, but the trend has picked up steam as a severe ad slump has forced them to explore alternatives to the traditional fee-based business model...
...into modeling? When I was 14 years old, my mother put me in an etiquette beauty school. One day a scout came up to me and said, "Oh, my gosh, you're going to be the next supermodel." I didn't even know what that meant. He pulled out a picture of Gisele and said, "This is who you can be." But he said I had to lose nine inches off my hips. That was the beginning...
Rushdie's dashing appearance, feminism, and complex literary personae would seem to make for an interesting romantic life. And Rushdie is famous for his womanizing. He has been married four times, most recently to supermodel and Top Chef host Padma Lakshmi, from 2004 until 2007, when she ended the marriage. Since then, he has been linked to the Indian model Riya Sen and actress Pia Glenn. Rushdie’s father was a University of Cambridge-trained lawyer turned businessman, and Rushdie himself studied history at King’s College, Cambridge. Now Rushdie has fallen for the American...
...vignettes about other Parisians are much stronger than Pierre’s scenes, particularly the story of Benoît (Kingsley Kum Abang), a hotel waiter who immigrates to Paris from Cameroon. The images of his dusty village are colorful but forlorn, and his conversations with a supermodel staying at his hotel are rich with political subtext absent from Pierre’s self-indulgent monologues. It’s a shame that Klapisch didn’t set the entire film in Cameroon; perhaps it would have had the substance and originality that “Paris?...