Word: suppered
(lookup in dictionary)
(lookup stats)
Dates: all
Sort By: most recent first
(reverse)
...that follows "The Crucifixion," is titled "John Nineteen Forty-One." a reference to the point in John's Gospel where the narrative describing the discovery of Christ's resurrection begins. But it has a few half-concealed implications that are wide-eyed blasphemy for those who see the Last Supper, for instance, as a sacred event. Webber and Rice, with a neat bit of circular logic and some imaginative rewriting, transform the Last Supper into an open fight between Jesus and Judas. While this goes on, the Apostles sit calmly by getting into their cups, oblivious of what is going...
...implication is that Matthew, Mark, Luke, and John were all hopelessly drunk at the Last Supper (and the overall implication that the Apostles were generally out of touch with what was going on) is very clearly blasphemous. Otherwise it's a needlessly clever justification for the liberties Webber and Rice take with a few scenes from the Gospels...
...legend is still just around the corner and doors stand open to the great winds which blow from the past out of the Kalevala, the Sagas and the Edda. Let me give you an idea of how close it is. That evening these same peasants were cooking their supper over a fire of twigs on a raised, open hearth. The hearth was like the one you see on the stage in Act I of Wagner's Die Walkiire...
Sheriff Tawes (Gregory Peck) is a righteous, brooding Tennessean overtaken by the sterility of his existence. His unattractive daughter asks him inane riddles at the supper table, his wife (Estelle Parsons) quotes marriage advice from the Reader's Digest and his senile father jabbers from the porch swing. When the sheriff questions a young mountain girl named Alma McCain (Tuesday Weld) about a traffic violation, he sees her as a chance-perhaps his last -for freedom, rebellion, sexual gratification, maybe even love. Alma's father (Ralph Meeker) sees a chance for something too: protection for his illegal moonshine...
Ellen Berman's sensitive Ethel Merman-like portrayal of the Blessed Mother is one of the strengths of the show. She takes snapshots at the Last Supper, genuflects compulsively after the Resurrection, and belts out "The Dove that Done Me Wrong" -she says of her unborn Child, "Well, it'll either be some sort of strange bird, or the Savior of the World" -with an eerie operatic raunchiness. Kay Tolbert's Mary Magdalene is a good-natured whore; her number, "You Can't Get a Man with a Prayer" ("God is just an abstraction/I need a little action "), places...