Word: suppers
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Dates: during 1980-1989
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...theory of management. Sometimes he invited prospective victims to his all-night dinners (about 10 p.m. to dawn) and later had the NKVD take them off to be shot. One ruler in Central Africa is said to have murdered hundreds of his people and sometimes eaten them for supper...
...SWANSON'S not the kind of guy most people would invite home for supper. Sure you can sit down and have a beer together--in fact, he'll probably suggest it. But Swanson's just a little bit, well, intense. He talks about sports the way most people argue about politics, and if you want to talk politics you'd better mean...
There are splendid things in the Met's show: nobody could say that rooms holding Caravaggio's Uffizi Bacchus or the London Supper at Emmaus or the Thyssen Saint Catherine are underoxygenated. Moreover, the Met has done some good to scholarship by setting Caravaggio against what was painted in Italy, and especially in Rome, when he was alive. Other exhibitions have focused on how the artist influenced 17th century painting all over Europe. This one shows the painting that influenced him when he was growing up--and the visual pedantry he had to contend with. Except for Lotto, Tintoretto...
...writhe in pain; how the dead sprawl. Hence the vividness of Abraham's gesture in The Sacrifice of Isaac, holding his wailing son down on a rock like a man about to gut a fish, even though the landscape behind them is Venetian in its pastoral calm. In The Supper at Emmaus, the characters seem ready to come off the wall, as Christ makes his sacramental gesture over the food. This insistence, this feeling of a world trying to burst from the canvas, is epitomized in one detail of the Supper--the basket of fruit, perched on the very brink...
...found in the week's attraction at the Jewel, The Purple Rose of Cairo. In it, Tom Baxter (of the Chicago Baxters), "adventurer and explorer," is discovered by a group of rich idlers in an Egyptian tomb and whisked home with them for "a madcap Manhattan weekend," all supper clubs and penthouses, cocktail shakers and white telephones. Movies like Purple Rose, delicately parodied here, proposed not just the possibility of perfect love at first sight but of permanent romantic transcendence at second glance...