Word: suppers
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Dates: during 1980-1989
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...Buckley and Joyce Carol Oates, Art & Antiques has gained a reputation for provocative reporting. One article last year raised questions (still unresolved) about the authenticity of the Antioch chalice, purchased by New York's Metropolitan Museum of Art and purported to have been used by Jesus at the Last Supper. A few months ago, a man speaking broken English wandered into the magazine's offices. He turned out to be carrying slides smuggled out of the Soviet Union showing works from the Pushkin Museum of Fine Arts never before seen in the West...
...scallops. Rojas-Lombardi has his three tapas cooks prepare 25 choices each day, and his menu also lists eight or ten conventional main courses, both Spanish and Continental. "About 65% of our business is now tapas," says the chef, who offers them all day and evening, and for supper in the Ballroom's adjoining cabaret. He makes weekly trips to the Island Club on Williams Island in North Miami, where he supervises tapas as well as the rest of the food operation...
Stoss produced nothing, it seems, in the last ten years of his life. Yet this unrespectable old man was capable of dazzling technical feats which, far from being mere Last-Supper-carved-on-a-peachstone declamation, were filled with grave and intense emotion. As with Bernini a century later, we do Stoss a big injustice if we suppose his intimidating virtuosity was in some way hollow. "A miracle in wood," wrote the 16th century Italian art chronicler Giorgio Vasari on seeing one of Stoss's carvings that had found its way to Florence. It was done "with such subtlety...
...production is a two-act, 14-scene concoction of songs, dance routines, and comic interchanges, each inspired by a facet of the of the long-running strip. They include the baseball game, Snoopy's supper, and Chuck's kite foibles among others...
...crowd with his wide-screen technique. The telephoto lens sets small-town streets ashiver; dramatic lighting illuminates a face from no earthly source. The two Brads share an idyllic toke of "wacky tobaccy," gazing out at the rolling Appalachian farmland. Brad Sr. sits at the center of a Last Supper tableau of thieves, looking like Jesus looking for Judas. Every overwrought gesture, every pregnant banality, every brutal killing is elongated to impress upon us the moment's importance and sick beauty. This fetishized attention to detail produces some gorgeous picturemaking, even as it makes At Close Range a sort...