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There are splendid things in the Met's show: nobody could say that rooms holding Caravaggio's Uffizi Bacchus or the London Supper at Emmaus or the Thyssen Saint Catherine are underoxygenated. Moreover, the Met has done some good to scholarship by setting Caravaggio against what was painted in Italy, and especially in Rome, when he was alive. Other exhibitions have focused on how the artist influenced 17th century painting all over Europe. This one shows the painting that influenced him when he was growing up--and the visual pedantry he had to contend with. Except for Lotto, Tintoretto...

Author: /time Magazine | Title: Art: Master of the Gesture | 3/11/1985 | See Source »

...found in the week's attraction at the Jewel, The Purple Rose of Cairo. In it, Tom Baxter (of the Chicago Baxters), "adventurer and explorer," is discovered by a group of rich idlers in an Egyptian tomb and whisked home with them for "a madcap Manhattan weekend," all supper clubs and penthouses, cocktail shakers and white telephones. Movies like Purple Rose, delicately parodied here, proposed not just the possibility of perfect love at first sight but of permanent romantic transcendence at second glance...

Author: /time Magazine | Title: Cinema: Now Playing At the Jewel the Purple Rose of Cairo | 3/4/1985 | See Source »

...Attorney General and Mrs. William French Smith and the Ed Meeses. Many of the same guests were expected to partake of pasta shells alla carbonara at a White House luncheon for 150 following the Sunday swearing-in ceremony. Pasta primavera was planned for the same crowd at a midnight supper at the Ritz Carlton Hotel after Monday's Inaugural balls...

Author: /time Magazine | Title: Taking a Taste of Power | 1/28/1985 | See Source »

...short on grace), step right out of late medieval German sculpture, and so do the claustrophobic spaces they inhabit--shallow, pleated, distorted into shoving and butting against the four edges of the canvas. The "naive" determination of 15th century carvers to get a deep room and a whole Last Supper out of a slab of limewood not much thicker than a plank--with the result that everything stands up and out, as if in fright--got transferred to Beckmann's argument with the flat canvas. Even the gestures are religious. Thus the showing of outstretched palms, Beckmann's favorite sign...

Author: /time Magazine | Title: Art: Psychological Realist in a Bad Age | 1/14/1985 | See Source »

Left alone with the real Baron, Maria commends his manifest education. "I go to movies twice a week," the Baron responds. How to resist a gentleman's advances without offending, Maria asks the real Baron, presumably her equal. Responds Baron Manners: "Say, 'Not so impetuous, Baron. Not before supper, later.'" Left equally confused by the presents of the class which he has so suddenly affected, Gaston asks for romantic counsel as well. Once again, Baron Manners: "Tell her, 'You are the one to whom I belong body and soul,' and remember 'After supper, it is easier to discuss with...

Author: By Clark J. Freshman, | Title: Quintessential Cole | 10/9/1984 | See Source »

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