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Communion with Protestants is becoming more common, although the Vatican allows it only under special circumstances, and bishops frown on casual intercommunion. At St. Thomas Aquinas parish in Ames, some of the town's many Protestants show up occasionally at Communion and are not turned away ("So many of...

Author: /time Magazine | Title: A Church Divided | 5/24/1976 | See Source »

The ghosts of the characterizations created by Grey and Minelli loom over Mather's Cabaret, and Don Martocchio and Katie Spillars have evolved different strategies for dealing with them. Martocchio plunges into the part of the Emcee much as Grey did--leering, bawdy gestures, demonic glee and all--but his...

Author: By Julia M. Klein, | Title: Divine Decadence and Dollars | 5/13/1976 | See Source »

The human body is one of comedy's supple tools. In agility, it releases tonic exuberance. As an object of humiliation through banana-peel pratfalls or pies in the face, it evokes instant delight. Even distortions or grotesqueries of the body-obesity, dwarfishness, eccentric gaits, tics, stutters, deafness and...

Author: /time Magazine | Title: Theater: Comic Karate | 4/26/1976 | See Source »

No Abmaphid. The abundance of humor provides constant comic relief. It has an enormously supple range, by turns sophisticated, acid, intellectual, putdown, cynical, broad, black and even sick. The two leads are superb. Dewhurst does not need to bray "I am the Earth Mother." We know it on sight. We...

Author: /time Magazine | Title: The Theater: Till Death Do Us Part | 4/12/1976 | See Source »

Judith Blegen and Frederica von Stade (Charles Wadsworth, piano and harpsichord; Gervase de Peyer, clarinet: Gerard Schwarz, trumpet; Columbia: $6.98). Two brilliant young American-born singers team up with a superior set of instrumentalists in a glowing recital of vocal music. The mood shifts in a varied repertory that encompasses...

Author: /time Magazine | Title: Music: Classical Records | 4/12/1976 | See Source »

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