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Word: supporting (lookup in dictionary) (lookup stats)
Dates: during 1930-1939
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Usage:

...sentiments coming, officially sanctioned, from one of the original C-. I. 0. unions were of prime Labor significance. With John Lewis' United Mine WTorkers and Sidney Hillman's Amalgamated Clothing Workers, the Garment Workers Union was one of C. I. O.'s principal pillars. Its cash support alone has run to some...

Author: /time Magazine | Title: LABOR: In Justice | 1/10/1938 | See Source »

...same time 100 percent support was given to a motion demanding that all cooks and waitresses wear their union buttons next Monday in a mass demonstration of their strength and overwhelming majority. Joseph Stefani, union leader, claimed that the University had continued to grant concessions, pointing out the straight watch now conceded cooks and the hiring of new help...

Author: NO WRITER ATTRIBUTED | Title: FOOD WORKERS REJECT UNIVERSITY CONTRACT | 1/6/1938 | See Source »

Strong proof that the State would take no action against but would whole-heartedly support the present Teachers' Oath law was given by Governor Hurley yesterday in his annual message to the legislature...

Author: NO WRITER ATTRIBUTED | Title: HURLEY SEES TEACHERS' OATH AS INOFFENSIVE LEGISLATION | 1/6/1938 | See Source »

...already intimated, Charlotte Greenwood, amazingly resourceful as Letty, and equally versatile as herself, is the raison d'etre of the show. Con- sequently, her support is rather faulty. Romaine Callender, for example, painfully overdoes the part of the minister. Of course, it might be pleaded that the acting within the acting should not be perfect, lost it cease to be acting. Russell Fillmore and Isabel Withers are good enough as the dim-witted, ineffectual brother-in-law and sister of the heroine. But good or bad, none of the supporting cast matters much. As the revelation or re-introduction...

Author: NO WRITER ATTRIBUTED | Title: The Crimson Playgoer | 1/6/1938 | See Source »

Most U. S. artists are the opposite of prolific, and only a few can live comfortably on their sales without some form of continuing support such as WPA has provided. Contrary to popular belief, in most cases it is not the dealer but the artist who pays for the gallery show by which public and critical attention is attracted to his work. Usual cost: anywhere from $150 for a modest show to $500 for a big one with a cocktail party preview. About the lowest price on a first-rate U. S. painting last year was $100. The highest price...

Author: /time Magazine | Title: Art: Year | 1/3/1938 | See Source »

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