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Word: surely (lookup in dictionary) (lookup stats)
Dates: during 1960-1969
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Usage:

...interest rate." Although we worked with Mr. Simon and his associates for quite some time in exploring ways that we might be helpful in connection with getting Reston started, there was no "oral deal" involved at any state of our relationship. We are just as sure of this as Mr. Simon is to the contrary...

Author: /time Magazine | Title: Letters: Nov. 10, 1967 | 11/10/1967 | See Source »

Back at Chu Lai for a pre-departure press conference, Humphrey told reporters: "I almost hate to go back. I haven't heard a single gripe from one American-but when I get back to Washington, I'm sure that I will be able to compensate...

Author: /time Magazine | Title: Foreign Relations: Northwest's Passage | 11/10/1967 | See Source »

...Council minority apears fairly secure. Both Crane and Mahoney (an M.I.T. professor) have power bases which are relatively wide for Cambridge. They gain a sizeable amount of "number ones" from Brattle Street. Support from scattered neighborhoods of middle-class Irish also comes their way. Crane in particular appears a sure bet; he has finished in the top two for the past four elections and holds the record for number one votes...

Author: By William R. Galeota, | Title: Cambridge Politics: Will the DeGuglielmo Coalition Survive Tomorrow's Elections? | 11/6/1967 | See Source »

Tschaikovsky's Symphonie "Pathetique" is something else. This is one of those pieces that an image-conscious musician will only listen to when he is sure no one else is looking. But there it was, blasting away in amply filled Sanders Theatre, and there we all were, guiltily and depravedly enjoying...

Author: By Robert G. Kopelson, | Title: HRO | 11/6/1967 | See Source »

...sure sign of musical anarchy if everything in a composition comes out sounding the same. This is especially if the music is new and unfamiliar. But Schuller's Bagaetelles are full of contrasts--dynamic, textural, rhythmic--and the orchestra brought them out vividly and strikingly. Here the orchestra received a bit of unplanned assistance from the Cambridge Fire Department. At the end of the Third Bagatelle, the rising wail of the fire siren coincided exactly with the solo 'cello's ascending glissando. It was probably the only time 'cellist Martha Babcock smiled during a concert...

Author: By Robert G. Kopelson, | Title: HRO | 11/6/1967 | See Source »

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