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Harvard jazz teacher Jodi L. Allen will also be presenting her own piece, entitled “Breathe.” According to Bergmann, Allen’s choreography is sure to be “a really physical, exciting addition to the Viewpointe show...

Author: By Paula I. Ibieta, CONTRIBUTING WRITER | Title: Collaboration Helps Viewpointe 10 to Soar | 3/23/2010 | See Source »

...sure, there are unforgettable moments of poignancy in the film that punctuate its bathos. The opening sequence of Ally’s mother’s murder is particularly disturbing and salient; the camera directly looks into the barrel of the murderer’s gun, thereby allowing the spectator to vicariously anticipate the fatal shot. It is terrifying and horrific, ergo a clever and memorable way for Coulter to begin the film. Another heartbreaking shot is the pan across Lauren’s half-severed hair at a birthday party, the consequence of a pernicious schoolgirl prank. This trauma...

Author: By Lillian Yu, CONTRIBUTING WRITER | Title: Remember Me | 3/23/2010 | See Source »

...extent the State of the Union has degenerated into a political pep rally, I'm not sure why we're there...

Author: /time Magazine | Title: Verbatim | 3/22/2010 | See Source »

...justice system protect the right to a speedy trial, says Allan Parachini, spokesman for the Los Angeles Superior Court, so "we really can't go to the criminal courts for the cuts... what is happening is that resources are being bled out of other areas, especially civil, to make sure we can meet all our obligations in criminal." Ten years ago the average time to trial in a general civil case in Los Angeles County was an eye popping five years. Reforms and increased efficiency reduced the wait to 16 months but Parachini says he expects civil case delays...

Author: /time Magazine | Title: And Justice for Some: L.A.'s Shrinking Court System | 3/21/2010 | See Source »

...professor now. How do your students react to your past? So far, so good. Most of my students are writers, and they can see my book from a literary standpoint and appreciate it as a literary work. Sure, I walk into class to very wide eyes sometimes, but I am very forthright with my students and clear about my belief that you cannot attach a specific value to any kind of experience. Especially as a writer. Anything that challenges me, that makes me see the world in a more generous, nuanced way, is valuable - necessary, even, as an artist...

Author: /time Magazine | Title: Inside the Secret World of a Dominatrix | 3/19/2010 | See Source »

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