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...better than a man, can attempt the new and different. For San Diego is where the new is the norm and woman power is a dominant force in the political game. Here the "smoke-filled rooms," such as they are, tend to be flamingo- colored restaurants overlooking the Pacific surf. And here the "machine," such as it is, rests in the hands of a key coterie of women, especially three elegant ladies from the smart...

Author: /time Magazine | Title: Lady Power in the Sunbelt | 3/19/1990 | See Source »

...shambles/ of enthrallments and futilities," goes one complaint; "a warren of untruth, a propped/ vacuity." Some of her lighter excursions are to Maine, the inspiration of some lovely, limpid nature writing -- about picking blueberries "the color/ of distances, of drowning," or a day of "bone-white splendor,/ a slow surf filleting the blue...

Author: /time Magazine | Title: Books: Nomad Routes | 3/19/1990 | See Source »

...then Van de Kamp's rivals had issued their own lamentations about the Feb. 7 accident aboard a British Petroleum tanker that dumped 349,000 gal. of crude oil into an area once known as Surf City, U.S.A. Complained the other Democratic candidate for Governor, former San Francisco Mayor Dianne Feinstein: "California has ignored the lessons of Alaska." She reiterated / her proposal to create a new department of ocean resources to protect the sea, bays and estuaries. For his part, Republican candidate Pete Wilson reminded a partisan crowd in Los Angeles, "As your U.S. Senator, I have stood...

Author: /time Magazine | Title: California Greenin' | 2/26/1990 | See Source »

...want sun, surf and sand. But you don't want the crowds...

Author: By Michael Stankiewicz, | Title: From Beaches To Baseball On Florida's Gulf Coast | 2/17/1990 | See Source »

Joan Brown exaggerated gesturalism and surface texture by troweling mortar- thick layers of paint on canvas. Her exuberant, gloppy subjects ranged from youthful nudes (Girls in the Surf with Moon Casting a Shadow, 1962) to kitchen appliances (Refrigerator Painting, 1964) and the goofy, squinting face of her pet dog (Models with Manuel's Sculpture, 1961). In Brown's anything-goes color schemes, brooding burgundies, hot pinks and Velveeta-cheese yellows oozed from the canvas with gooey gusto. In drawings on paper, she even collaged strips of fake fur. McGaw produced more straightforward self-portraits and still lifes, while sculptor Neri...

Author: /time Magazine | Title: Art: The San Francisco Rebellion | 2/5/1990 | See Source »

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