Word: surreal
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James Casebere's surreal photographs of plaster models and catacomb-like spaces display the camera obscura method in a markedly different manner. For Casebere, his studio becomes a metaphorical representation of the pinhole camera; his eerie black and white prints, though smaller and less enchanting than Morell's work, beguile the viewer. In "Toilets," a dye destruction print, 11 toilet bowls march across the back wall of something resembling a prison cell: the third bowl in the sequence lies dejectedly on its side, a single white beam illuminating its slightly skewed seat. The accompanying placard describes the photographer's intentions...
Over the course of the past two weeks, the absurdity of my recruiting experience has rivaled that of experimental French theater. If you ever want to have a surreal encounter, try explaining to someone why your knowledge of Wittgenstein's philosophy of language has made you a better marketer. Or why a career in business is the natural extension of your love of literature. Or why a fledgling academic needs management skills. My interviewers weren't buying it, and more importantly, neither...
...which might have given the two plenty to talk about at dinner, except they didn't talk about any of it. Gore never brought up the Harvard speech, and no one mentioned the White House intern. The evening, Gephardt later remarked privately, "could not have been more surreal...
Meanwhile, the four lonely Bulls, Ron Harper, Toni Kukoc, Keith Booth and Randy Brown, are facing a surreal adjustment to playing for a team unlikely to make the playoffs. The Bulls have suddenly become the NBA equivalent of the Florida Marlins: world champions who the following season have a second-rate crew that finish last. Steven Julius, the Bulls psychologist, says the four remaining Bulls will cope with their new status by continuing to think of themselves as defending champions. "Ron Harper can step up under adversity and even other pain," he says. "Toni Kukoc is a tough...
...that bus). But this hilariously macabre tale of Tam and Richie, two Scottish fence builders who--once they can be dragged from their slovenly trailer, their cigarette breaks and their pub crawling--keep accidentally killing people on the job, marks a terrific debut. As the story veers into increasingly surreal territory--just who, or what, is that new fence Tam and Richie are building meant to keep in?--Mills makes the life of the manual laborer deadly but never dull...