Word: surreal
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TRACK 29. It's mother love with the proper stranger in this surreal treat from director Nicolas Roeg. Theresa Russell is the troubled mom, Gary Oldman...
VISUALLY, the ads are arresting and unique, slightly surreal, almost random. They feature very bright, vivid images that are usually accelerated or in some other way distorted. The voiceover sounds like an old radio announcer and the music is a tango played by violin and piano. The ads use light in a unique way so that shadows and bright spots seem connected to nothing...
...first two segments are prayers, one a confession with Bogosian down on his knees in a spotlight as if he is kneeling in a confessional. The second is a kind of junkie's lament. In the latter, Bogosian deftly adopts a surreal street patter ending in a simple amen. Both are supplications to the audience. Bogosian is asking for forgiveness and understanding...
...rest? He's given good performances in other movies (a moody, sarcastic DJ in Down By Law, and Jack Nicholson's decaying companion in Ironweed), and he's obviously interested in doing more than just translating his concert to the screen; the result is close to surreal...
...movie leaps from one character to another, weaving innumerable surreal symbols among them, as Waits struggles to decide whether the intensity and innocence of the unknown are lost or perverted in the star. The huckster squalls piano-bar ballads--I'm gonna hit the top, take New York, and hey don't ya love my band--Waits drives out his songs, pistol ricochets dubbed over the cracking of his boot heels, and Frank spins out his dreams...