Word: surrealism
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...whimsical Spy Kids, the kind of innocuous, McDonald's-friendly family feature that's primarily geared towards a demographic that would be lucky to sneak a glimpse of From Dusk Till Dawn on HBO before their parents caught them? A kind of kiddie James Bond dropped into a surreal Willy Wonka-style world, Spy Kids ostensibly stars Antonio Banderas and Carla Gugino as a pair of secret agents who decide to retire from the espionage game and settle into a quiet family life, but the real heroes are their plucky tykes, Carmen and Juni (Alexa Vega and Daryl Sabara...
...leave the Scottish hills in its wake in order to get absolutely bolloxed in an English pub. Unfortunately, the effect is probably a little more sobering than the band intended. We Love the City contains a couple of bonus videos, and the band dons the most amazingly surreal skin-colored body molding outfit (members flailing and all) for the video of “Good Fruit” that makes Blink 182’s unfocused streaking look like the adolescent teeny-bopper trash it really...
This may be one reason why those who, like me, migrated to San Francisco for its anything-goes culture have been in such an uproar. "Everybody's just spitting mad," says Carol Lloyd, who writes a column called "Surreal Estate" for sfgate.com the San Francisco Chronicle's website. "Something essential about San Francisco is changing, and even people who aren't negatively affected are upset." Interestingly, she notes, many of the dotcoms reviled by artists and neighborhood activists started out like a lot of other quirky, creative San Francisco projects. "They just happened to coincide with the rise of Silicon...
...Martin did not bomb, as, I must admit, I was hoping he would. Because that would have meant pulling off a surreal, star-befuddling, one-time-only performance. Instead, he gave a safe, caretaker performance that was hardly a performance at all. True, his funniest jokes were laced with a measure of contempt for the industry (on the awards' use of the phrase, "The Oscar goes to..." rather than "The winner is...": "God forbid anybody should think of this as a competition. It might make the trade ads seem crass"). But Martin is thoroughly L.A. at heart, and he kept...
...surprisingly, then, as the play’s final third ventures even more deeply into the deranged and surreal, the characters grow a bit tiresome, each having been pitched throughout at a level fairly easy to write and act. When Ridley does provide any extra narrative or emotional push, though, the actors take the equivalent step up effortlessly. Right in step with them is director Christian Roulleau ’01, who paces every scene exquisitely, caring less about how real an exchange may be than about what will provoke the most intense emotional response in the audience. When...