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Word: surrealism (lookup in dictionary) (lookup stats)
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Many words have been used to describe Wellman’s play—surreal, intense, innovative, complex, depraved, witty, excessive, frightening, hysterical, manic—but “easy to like” have never been among them...

Author: By Emma Firestone, CONTRIBUTING WRITER | Title: Fangs for the Memories | 11/9/2001 | See Source »

Still, the terror he and Spinger evoke in the climactic scene, in which the games they play finally go too far, is undeniable. And the frequently surreal, constantly gripping play registers as the high point of the evening...

Author: By Benjamin W. Olson, CONTRIBUTING WRITER | Title: Boiler Offers Uneven Triple-Decker | 11/2/2001 | See Source »

...play the FleetBoston Pavilion last June, Dispatch are an up-and-coming phenomenon with enough pull to get students all too concerned with grades to stay out way past their bedtimes. Longtime Dispatch fan Kerry M. Houlihan ’05 said, “It was a little surreal to see Dispatch playing in Sanders because I’m used to seeing them in tiny venues in New York City. I had just seen the Glee Club performing in Sanders the other night, so having the Veritas symbols illuminated by the flashing lights was definitely a different experience...

Author: By Antoinette C. Nwandu, CRIMSON STAFF WRITER | Title: Dispatch Kids Rock the Harvard Scene | 10/26/2001 | See Source »

...play the FleetBoston Pavilion last June, Dispatch are an up-and-coming phenomenon with enough pull to get students all too concerned with grades to stay out way past their bedtimes. Longtime Dispatch fan Kerry M. Houlihan ’05 said, “It was a little surreal to see Dispatch playing in Sanders because I’m used to seeing them in tiny venues in New York City. I had just seen the Glee Club performing in Sanders the other night, so having the Veritas symbols illuminated by the flashing lights was definitely a different experience...

Author: By Antoinette C. Nwandu, CRIMSON STAFF WRITER | Title: Dispatch Kids Rock the Harvard Scene | 10/26/2001 | See Source »

...again at the forefront of cinematic experimentation, taking the medium to new levels of abstraction to revolutionize the way we see. The highlight here is “Film No. 13 (Fly)” (1970), in which a woman’s naked body is transformed into a surreal landscape as the camera takes on the perspective of the horsefly scouring her surface. Ono’s trademark vocal stylings provide the soundtrack. Though meek and childlike in conversation, her voice is fantastically visceral in art: Imagine crossing the frenzied whine of a boiling teapot with the grunts...

Author: By Matthew B. Sussman, CRIMSON STAFF WRITER | Title: YOKO | 10/26/2001 | See Source »

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