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What was at the heart of Moore's appeal? Maybe that he had domesticated Surrealism. Moore took the biomorphic forms of Surrealist sculpture and painting, detached them from associations of shock or disgust, and reconciled them to the long traditions of the human figure. Even his first more or less Surrealist work, a small stone sculpture from 1932 called Composition - which is not in the show at Kew - is one that Moore developed out of sketches of a child nursing at a woman's breast. Compare it to the grotesque exaggerations of Picasso's 1928 Bather (Metamorphosis 1), a work...

Author: /time Magazine | Title: Making the Most of Henry Moore | 1/2/2008 | See Source »

...rabbit symbol from “Donnie Darko” as an icon for the underground Marxist movement that begins to unravel the apocalypse plot. In doing this, he acknowledges that the success of the cult is everywhere. Here, however, Kelly has more mainstream aspirations. He aims both for surrealist comedy and action slasher, although time travel does make a cameo appearance near the end of the film. The dialogue has its moments; in one scene, Gellar says with confidence, “Scientists are saying the future is going to be far more futuristic then they originally had predicted...

Author: By Jenny J. Lee, CONTRIBUTING WRITER | Title: Southland Tales | 11/15/2007 | See Source »

...extensive rock pedigree. When he left the band in 1975 and went solo, he remained a restless creative force but gave up much of his commercial clout. The rhythmic complexities of his songs wove eerie aural patterns through which lyrics chased each other like phantoms from a surrealist serial. The music was simultaneously challenging and forbidding, and Gabriel was typed unfairly as an elitist working in a populist form. Biko began breaking this image down, and the So album has put it to rest forever. The process has received no little help from the raucous Sledgehammer video, which shows Gabriel...

Author: /time Magazine | Title: The Groove Carries On | 11/13/2007 | See Source »

...That Obscure Object of Desire, Luis Buñuel famously cast two actresses to play one character (though it wasn't to suggest a dual nature; it was because - who knows why, the man was a surrealist). Two years ago, in Palindromes, Todd Solondz had the lead character, a 12-year-old girl, played by eight actors (including a boy and two adults). Haynes' use makes the most sense, at least the kind of sense a filmmaker can pitch at a backers' meeting, since Dylan did have many lives, all of his own creation...

Author: /time Magazine | Title: Dylan and the Beatles: Together Again! | 9/16/2007 | See Source »

...That conflation of cartoon drawing and Surrealist biomorphism also gave Murray a brilliantly effective way to keep the human body in the picture without resorting to straight ahead representational painting. Anatomy is almost always there in her bouncy, blimpy forms, the ones that constantly invoke the swells and inlets of the body, tickling and jostling each other, or thrusting their fat bulges right at us. Even her curvy canvases are bodily, as fleshy and as bosomy as the plump goddesses in Rubens...

Author: /time Magazine | Title: Elizabeth Murray: Bringing Painting Back to Life | 8/14/2007 | See Source »

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