Word: surrealistically
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Dates: during 1980-1989
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...Solitude), 53, complained after a hasty departure from his basement apartment in Bogota last month. Fearing a secret warrant for his arrest, the novelist and journalist fled to Mexico after Colombia had broken relations with Cuba and his personal friend Fidel Castro. The regime claims that the leading surrealist was merely trying to embarrass them by seeking refuge in the Mexican embassy in Colombia. But Garcia Marquez says, "I am shy and I look aggressive." Some countrymen offer a more illuminating possibility: He's got an electric typewriter, and in his Bogota apartment they turn off the power...
...French surrealist Louis Aragon could call himself, in the title of one of his books, Paysan de Paris, Joseph Cornell was certainly the Peasant of New York, incessantly tilling and raking its cultural deposits and suppressed memories. They presented themselves to him as a vast, intriguing jumble of components, waiting to be grafted onto one another, fitted together, married and mated. He once wrote about seeing a collection of compasses in the window of a shop: "I thought, everything can be used in a life time, can't it, and went on walking. I'd scarcely gone...
...like to pay taxes." Dali then reiterated a previously announced intention to begin a still vague 22-mile-long project in Rumania and revealed another plan: to remarry his willful wife Gala, 87, as an "endorsement" of his love for her. "She is everything to me," insisted the great surrealist. "The only way to make love is as a sacrament...
Since his first work in the early thirties, Paz has been identified with the surrealist writers, a school he once described as "a negation of the contemporary world and at the same time an attempt to substitute other values for those of democratic, bourgeois society." His best-known works include El Laberinto de la Soledad (The Labyrinth of Solitude), an essay on Mexican character described by Irving Howe as "a central text of our time" and long metaphysical poems like Piedra de sol (Sun Stone) and Blanco...
...abandoned it. In a transformation as abrupt as Picasso's switch from the soft-edged, attenuated figures of his blue period to the African ferocities of Les Demoiselles d'Avignon, Miró launched into his "dream paintings." These were derived partly from his fascination with his new surrealist friends in Paris, Breton and Eluard, and their talk of dream imagery, free association, irrational juxtaposition. And partly from plain hunger. As Miró explains, "Sometimes I hadn't had any supper. I saw things ... I saw shapes in the chinks in the walls and shapes on the ceiling...