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...Humor is central to many of the works, often as a neo-surrealist celebration of the absurd. Edward Ruscha's can of Spam rocketing across a white canvas and Colin Self's Leopard-skin Nuclear Bomber - No. 2 cannot fail to evoke a smile. Conversely, Roy Lichtenstein manages to take the humor out of the comic-book genre, reducing the style to its purely graphic elements...

Author: /time Magazine | Title: Art Goes Pop | 4/2/2001 | See Source »

...words painted on the curtain, which flies open to reveal a dozen dancers in Spanish costumes prancing merrily in front of a backdrop that is an explosion of magenta and yellow. Hold on to your ticket stub: Mark Morris' joyous dance version of Four Saints in Three Acts, the surrealist opera by Gertrude Stein and Virgil Thomson, is off and galloping...

Author: /time Magazine | Title: Dance: A Bad Boy Comes of Age | 4/2/2001 | See Source »

...Thomas' course traces Prague through its early nationalist, realist, modernist, surrealist, existential, and postmodern stages. It is a place of exile, a city personified as female, he says...

Author: By The CRIMSON Staff, CRIMSON STAFF WRITERS | Title: Shopping Around | 2/2/2001 | See Source »

...crucifix covered in women's scalps, THE END. Protests over this sequence, and the film in general, in local newspapers caused a group of fervent rightists to invade the theater showing it, where they sliced up the screen, attacked the audience physically, and destroyed the original Surrealist canvases adorning the theater's lobby. Others found the filmmaker's artistic act of provocation to be a work of genius: avowed fan Henry Miller proclaimed that "they should take Buñuel and crucify him, or at least burn him at the stake. He deserves the greatest reward that man can bestow...

Author: /time Magazine | Title: The Not-So-Discreet Charm of Luis Buñuel | 11/30/2000 | See Source »

...Several of today's most prominent filmmakers betray the influence of Buñuel. David Lynch's radically bizarre first feature, "Eraserhead," couldn't have existed without the example of Buñuel's rulebreaking Surrealist masterwork "Un Chien Andalou" (1929), directed with Salvador Dali. Pedro Almodovar's deliciously ripe melodramas contain numerous elements first found in Buñuel's Mexican work from the 1950s; in fact, key sequences from Buñuel's giddily psychotic "The Criminal Life of Archibaldo de la Cruz" (1955) are incorporated into Almodovar's "Live Flesh" (1997). And former Monty Python member Terry...

Author: /time Magazine | Title: The Not-So-Discreet Charm of Luis Buñuel | 11/30/2000 | See Source »

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