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...production chief at London's Royal Opera House. "I looked with horror at how it was being presented. It had become a mausoleum." Controversy is nothing new for the flamboyant British-born director. In 1949 he produced a scandalous Salome-largely because of bizarre sets by Surrealist Painter Salvador Dali. He has set Shakespeare's A Midsummer Night's Dream in what resembled an abandoned squash court, with the actors flying about on trapezes. Earlier this year, he staged Chekhov's The Cherry Orchard with rugs as virtually the only props...

Author: /time Magazine | Title: Music: Carmen, but Not Bizet's | 12/21/1981 | See Source »

...draw like a child. It was one of the master's few unoriginal remarks Virginia Woolf, rereading Nicholas Nickleby in 1939, noted."Dickens owes his astonishing power to make characters alive to the fact that he saw them as a child sees them." And in his 1924 Surrealist Manifesto, André Breton declared, "Childhood is the nearest to true life...

Author: /time Magazine | Title: Books: A World Charged with Miracles | 12/21/1981 | See Source »

...would seem very rash to deny that Atget (pronounced At-jay) was one of the great artists of the 20th century. But there is nothing to suggest that he thought so himself. In his old age, he was much admired in the more advanced Parisian cultural circles; the surrealists, for instance, loved the mystery of his street scenes, with their pervasive sense that Something (the surrealist merveilleux) was about to break into the world round the corner, at the end of the perspective, out of scrutiny. But Atget said-or, at any rate, wrote-nothing about his own work...

Author: /time Magazine | Title: Photography: Images from Old France | 11/9/1981 | See Source »

...French poet Andre Breton, leader of the surrealist movement, once defined surrealism as the juxtaposition of the familiar with the fantastic. As TIME correspondents moved through the strange netherworld of the arms trade for this week's cover story, they reflected on their own surrealist experiences - sometimes comical, other times ominous - of encountering weapons both familiar and fantastic, in places both ordinary and exotic. TIME Correspondent Lee Griggs recalled watching a multiple rocket launcher known as a "Stalin organ" being unloaded from a Soviet ship at Luanda harbor in 1975 during the civil war in Angola. To his surprise...

Author: /time Magazine | Title: A Letter from the Publisher: Oct. 26, 1981 | 10/26/1981 | See Source »

...tattooing, the head shaved as if recuperating from a Nazi lobotomy. Punk admits to no past; it anticipates no future. And the present is only impulse-the 300 heartbeats a minute of the raucous new rock. This music is rigorously monotonous, a mantra of bully nihilism; the lyrics are surrealist graffiti, spat out indistinctly. Director Spheeris occasionally supplies English subtitles for these messages from a lost world. In interviews she plays the sympathetic den mother to these kids barely out of their teens, and they respond, most of them, with patience and decorum. In assembling these chilling images, Spheeris...

Author: /time Magazine | Title: Cinema: LA. Dolce Vita | 7/27/1981 | See Source »

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