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Word: surrealities (lookup in dictionary) (lookup stats)
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...deeply dislocating, in the best sense of the word. Route 111, the main approach to town, veers suddenly off from Interstate 10 to cut a jazzy angle across the desert, unplugging you at last from the freeway grid. Past the turnoff, the six-mile drive into town, with its surreal juxtaposition of ancient mountains and shiny new energy-producing windmills, seems to further separate you from the everyday. And then the big, welcoming surprise: the sharply angled roof of the Tramway Gas Station looming over a low wall at the entrance to the desert resort, like a jet poised...

Author: /time Magazine | Title: Time Traveler: Mojave Modern | 4/29/2002 | See Source »

...hear sophomore Mickey Kropf stride out to the plate to Johnny Cash’s “Folsom Prison Blues:” “I shot a man in Reno / Just to watch him die…” The moment was as surreal as any you’ll ever witness at the park...

Author: By Martin S. Bell, CRIMSON STAFF WRITER | Title: Saved By The Bell: Throwback Walsh Lives, Dies By Aggressive Style | 4/29/2002 | See Source »

...despite a massive physical production that sets scenes in a person-sized birdcage and a surreal infomercial, McClelland denies that his approach to the play is about uniqueness for the sake of uniqueness...

Author: By Georgia E. Walle, CONTRIBUTING WRITER | Title: Reimagined ‘Sweeney’ Still Serves a Dark and Hungry God | 4/26/2002 | See Source »

...show began to feel like a progressive rock arena concert from the 1970s or 1980s. Perhaps it was the ethereal synthesizers or the towering stacks of speakers that flanked the stage, but it was largely the lighting design that lent the concert a surreal, throwback air. New-age images and silhouetted trees played against floor-to-ceiling cloth banners while colored lights cut through the machine-smoke haze of the auditorium, adding a visual overload to the musical excess...

Author: By James Crawford, CRIMSON STAFF WRITER | Title: Speaking of Metheny | 4/19/2002 | See Source »

...wider end by a pole that extends from the water. Around the faded, sepia-like tones of the photograph rise okra-colored stalks of grass from the marsh; the glow of the sun can be faintly seen from the horizon in the distance. The image maintains a surreal and ethereal levity, and the inaudible music of the pipe calls out to us as might the Islamic call to prayer...

Author: By J. hale Russell, CRIMSON STAFF WRITER | Title: With a Grain of Salt | 4/19/2002 | See Source »

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