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Word: surrealization (lookup in dictionary) (lookup stats)
Dates: during 1970-1979
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Usage:

...care and leisure show. Gallows Pole shows the clear influence of San Francisco's Creedence Clearwater Revival, and its monosyllabic, root-heavy style is powerful. One of the two best tracks is That's The Way, whose rich harmonies are a perfect match for the somewhat surreal lyrics about adolescent alienation. The other is Since I've Been Loving You, a superb slow-blues song that has more togetherness than a revival meeting...

Author: /time Magazine | Title: Music: Roots and Raw Feeling | 11/2/1970 | See Source »

...Powers of Ten, one such idea film that Eames presented in 1968 to a meeting of America's top physicists, sketches a linear zoom to the farthest known point in the galaxies down to the nucleus of a carbon atom. What makes the film almost surreal at times is the starting point-the wrist of a man lying on Miami Beach-and the narrator, a serious female voice. Yet, whether physicist or child, one gets a feeling for the dimensions of time and space...

Author: By At : P.m.), | Title: Design is a Chair, A Deck of Cards, A Computer | 10/22/1970 | See Source »

...first portion of Jack giddily beats the old domestic horse which Albee buried in The American Dream. I found the surreal set gawky, and only slightly less distracting than the blue crustacean-like masks worn by Jack and his family. Everyone seemed too self-involved in being individually cute and grotesque; with six characters moving around in this manner on an extremely small stage, the effect is annoying...

Author: By James M. Lewis, | Title: The Theatregoer Jack, or The Submission/The Bald Soprano at the Old West Church until Oct. 31 | 10/7/1970 | See Source »

...literal or figurative) of society, portraying it with an austere, dialectical frontality. At one point after deserting from the army. A. goes into a strange town to warn that troops are coming and ends up talking for several moments into a stark, dimly-lit building occupied by militants, a surreal scene of paranoia and alienation, in which he is finally sent away without seeing beyond the facade...

Author: By Jim Crawford, | Title: At the Cheri The Revolutionary | 8/4/1970 | See Source »

...experience was too extravagant to be fiction and too real to be borne. Heller furnished the corpse with a vaudeville wardrobe, mixed in '50s America, and called his novel Catch-22. Black, mad and surreal, it told of a bombardier named Yossarian impaled on the insanity of war and struggling to escape. Undergraduates still see Yossarian as a lionly coward, the first of the hell-no-we-won't-go rebels who had to go anyway. To them, the book's final sentence limns the human condition as well as the hero's: "The knife came down, missing...

Author: /time Magazine | Title: Cinema: Some are More Yossarian than Others | 6/15/1970 | See Source »

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