Word: surrealization
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Dates: during 1970-1979
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...care and leisure show. Gallows Pole shows the clear influence of San Francisco's Creedence Clearwater Revival, and its monosyllabic, root-heavy style is powerful. One of the two best tracks is That's The Way, whose rich harmonies are a perfect match for the somewhat surreal lyrics about adolescent alienation. The other is Since I've Been Loving You, a superb slow-blues song that has more togetherness than a revival meeting...
...Powers of Ten, one such idea film that Eames presented in 1968 to a meeting of America's top physicists, sketches a linear zoom to the farthest known point in the galaxies down to the nucleus of a carbon atom. What makes the film almost surreal at times is the starting point-the wrist of a man lying on Miami Beach-and the narrator, a serious female voice. Yet, whether physicist or child, one gets a feeling for the dimensions of time and space...
...first portion of Jack giddily beats the old domestic horse which Albee buried in The American Dream. I found the surreal set gawky, and only slightly less distracting than the blue crustacean-like masks worn by Jack and his family. Everyone seemed too self-involved in being individually cute and grotesque; with six characters moving around in this manner on an extremely small stage, the effect is annoying...
...literal or figurative) of society, portraying it with an austere, dialectical frontality. At one point after deserting from the army. A. goes into a strange town to warn that troops are coming and ends up talking for several moments into a stark, dimly-lit building occupied by militants, a surreal scene of paranoia and alienation, in which he is finally sent away without seeing beyond the facade...
...experience was too extravagant to be fiction and too real to be borne. Heller furnished the corpse with a vaudeville wardrobe, mixed in '50s America, and called his novel Catch-22. Black, mad and surreal, it told of a bombardier named Yossarian impaled on the insanity of war and struggling to escape. Undergraduates still see Yossarian as a lionly coward, the first of the hell-no-we-won't-go rebels who had to go anyway. To them, the book's final sentence limns the human condition as well as the hero's: "The knife came down, missing...