Word: surrealization
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Dates: during 1970-1979
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This may sound doom-laden, but the plays are redeemed by irrepressible freshets of surreal humor. Buried Child, now at off-Broadway's Theater de Lys, concerns itself with a zany Illinois farm family. Dodge (Richard Hamilton), the grandfather, is a prickly relic whose security blanket is the whisky bottle under it. His wife Halie (Jacqueline Brookes) is the voice of the nag incarnate. The eldest son Tilden (Tom Noonan) is laconic, even for a neo-Neanderthal. For him, the barren fields yield armfuls of corn and carrots, which are duly shucked, sliced and nibbled onstage...
...homeland incurable. Julio Cortázar's novel, A Manual for Manuel, is one Argentine expatriate's eccentric response to violence in his country (and to some extent Uruguay and Brazil) in the early 1970s. Cortzar, who has lived in Paris for some decades, writes in a surreal fashion. The effects can be dazzling - as in All Fires the Fire and Other Stories of several years ago. Here, in a disjointed narrative, he gives a low-key, comic and rather appealing picture of "the Screwery," a band of romantic South American revolutionaries based in France. As the book...
...processor, but its climax was a long, breaking roll of waves accompanied by pulsing gongs. The Holler Arcus used the more conventional method of taping the electronic part in advance. It is an impressive piece: 20 minutes of tricky synchronization in which phantasmagoric sounds from the tape conduct intense, surreal dialogue with the instrumental ensemble...
Santa Fe's production, performed in the company's handsome redwood and adobe outdoor theater, is squarely in the 20th century tradition. Oliver's opera is a chilling psychodrama, a story of madness and perversion. Instead of a palace, the set is a surreal structure, an external symbol of the brothers' twisted passions. Against this fantastical backdrop, shapes and shadows mingle grotesquely. Soldiers resemble insects in their shiny black armor and luminous round helmets. Members of the court, dressed in garishly striped costumes, are a hideous masquerade, a parody of splendor...
...have begun to resist taking their husbands' surnames. Cassius Clay becomes Muhammad Ali in midcareer. Sambo is a target of only one minority; Italians hate the name Mafia. Rock groups, such as Jefferson Starship (né Airplane) and the Grateful Dead, have stretched the art of naming to surreal heights and depths. The President's wish to stick to Jimmy as his official name perhaps ingratiated him more with the public than any other step he has taken-and may, in the end, have hinted more than he intended at his fuzzy grasp of presidential power...