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Word: surrealness (lookup in dictionary) (lookup stats)
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...unspoken competition for the same women. Cinematographer Michael Bauhaus transforms the neon of L.A. into feverish yellows and red that bathe the discos and hambutget stands where Eli and Blue confront themselves and each other: music by Langerine Dream and Nona Hendris lends a funks and somewhat warped surreal feeling to the goings...

Author: By Susan Morris, | Title: Best Rivals | 5/3/1985 | See Source »

...blade of a guillotine. They came in full divisions, with artillery and tanks. They banged across the countryside like Patton. It was no longer the endless, hallucinatory Viet Nam at all, but blitzkrieg, Western war, all of those years of inconclusive struggle finished off briskly in a short, surreal spring...

Author: /time Magazine | Title: Viet Nam: A Bloody Rite of Passage | 4/15/1985 | See Source »

...glitterati." And O'Hanlon is chillingly adept at describing the river torrent that nearly killed his friend, and at expressing some thoughts about the omnipresence of early death by misadventure: "No wonder the population was so perpetually young, so beautiful." Into the Heart of Borneo makes the island more surreal than enticing; nevertheless, O'Hanlon has announced plans for a similar three-month tour down the Amazon. Some people never learn; and a good thing...

Author: /time Magazine | Title: Books: Greenhorns into the Heart of Borneo | 4/8/1985 | See Source »

...emotion. Radford masterfully exploits the iciness of Richard Burton's Inner Party member, O'Brien. Whether torturing or consoling, Burton never moves a facial muscle or changes an inflection. He is the ideal Party member, a living synthesis of rose dogma spouted without intellect or feeling. Burton's coldly surreal performance is as horrifying as the best Becket...

Author: By Jeff Chase, | Title: He's Still Watching You | 2/15/1985 | See Source »

Jarmusch transposes borredoin and disappointment into a deadpan dramatic bass-line that lops along with its loom-pah-loom-pah Sereanun' Jay Hawkins soundtrack. The camera just watches these characters, from above or below like a surreal intruder, or straight-on as though it were positioned behind a one-way mirror. They don't perform; they just are and sometimes they just are not. The camera watches them watching television, not talking, avoiding each other, waiting, arguing impatiently when forced to think about what is, to them, the painfully obvious. Punctuated with blackouts at the end of every scene, Paradiseis...

Author: By Susan Morris, | Title: Where's the Beach? | 2/15/1985 | See Source »

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