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Word: surrealness (lookup in dictionary) (lookup stats)
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...NIGHT OF THE FOLLOWING DAY. This might have been just another kidnaping movie, but Director Hubert Cornfield has a sure and shrewd eye that transforms an ordinary story into a surreal seminar in the poetics of psychological terror. The small cast is uniformly excellent, and Marlon Brando does his best work in years as a slangy hipster criminal...

Author: /time Magazine | Title: Television: May 9, 1969 | 5/9/1969 | See Source »

...NIGHT OF THE FOLLOWING DAY. The nominal subject of this chilling film is kidnaping, but Director Hubert Cornfield uses it only as an excuse for conducting a surreal seminar in the poetics of violence. The small cast is uniformly excellent, but Marlon Brando steals the show with some of his best acting since One-Eyed Jacks...

Author: /time Magazine | Title: Television: Apr. 4, 1969 | 4/4/1969 | See Source »

...NIGHT OF THE FOLLOWING DAY is one of the tensest, toughest thrillers anyone could ask for. But Director Hubert Cornfield is not content to stop there; he creates a surreal seminar in the poetics of violence. The small cast is uniformly good, and Marlon Brando is back in great form playing a hipster-hood...

Author: /time Magazine | Title: On Broadway: Mar. 28, 1969 | 3/28/1969 | See Source »

...NIGHT OF THE FOLLOWING DAY is one of the tensest, toughest thrillers anyone could ask for. But Director Hubert Cornfield isn't content to stop there; he creates a surreal seminar in the poetics of violence. The small cast is uniformly good, and Marlon Brando is back in great form playing a hipster-hood...

Author: /time Magazine | Title: Television: Mar. 21, 1969 | 3/21/1969 | See Source »

Cornfield transforms this rather ordinary premise into a kind of vision of surreal violence. Working closely with Cinematographer Willi Kurant, he creates an autumnal landscape, heavy with fear, that is the stuff that nightmares are made of. From the subdued hues of a beach at dawn to the bleached neon whiteness of a bathroom, colors serve both to establish the mood of each scene and underscore the precisely orchestrated tension. The film's ambiguous ending, which puts a parenthesis of fantasy around the action, may at first seem facile. On reflection, however, the viewer finds that a whole...

Author: /time Magazine | Title: Cinema: In Small Packages | 3/14/1969 | See Source »

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