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Word: surrealness (lookup in dictionary) (lookup stats)
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...HOMECOMING. Awarded the Tony as the season's best play, Harold Pinter's drama melds the mystique of the surreal with relentless honesty in the examination of interpersonal relationships. Flawlessly performed by the Royal Shakespeare Company, it forcefully binds the audience in a puzzled spell while catching it up in heated controversy...

Author: /time Magazine | Title: Theater: Time Listings: Apr. 21, 1967 | 4/21/1967 | See Source »

...HOMECOMING. Awarded the Tony as the season's best play, Harold Pinter's drama melds the mystique of the surreal with relentless honesty in the examination of interpersonal relationships. Flawlessly performed by the Royal Shakespeare Company, it binds the audience in a puzzled spell while catching it up in heated controversy...

Author: /time Magazine | Title: Television: Apr. 14, 1967 | 4/14/1967 | See Source »

...HOMECOMING is both realistic and surreal, on a mythic yet natural plane, and most unconventionally conventional. While defying the norms of family and society, this domestic drama by British Playwright Harold Pinter is an exercise in instinctual logic. Vivien Merchant and Paul Rogers lead a perfect cast in Peter Hall's pluperfect production...

Author: /time Magazine | Title: Television, Theater, Records, Cinema: Mar. 3, 1967 | 3/3/1967 | See Source »

With that one blow the barricades fell, and the avant-garde came storming through. Robert Downey's Chafed Elbows, the shaggy-surreal saga of a Village idiot who hopes to get rich quick by persuading female midgets to use contact lenses as contraceptives, opened in a Lower East Side cin bin that was soon crammed by the cab trade from uptown. And Shirley Clarke's Jason, a harrowing 120-minute interview with a black male prostitute, was offered a midtown opening as a hard-eyed cautionary tale and a surefire succes de scandale...

Author: /time Magazine | Title: Cinema: Art of Light & Lunacy: The New Underground Films | 2/17/1967 | See Source »

...plot is silly-surreal. A white U.S. she wolf named Beclch (Sharon Gans) becomes the vampire queen of an African tribe. She is a voracious, paganly sadistic earth mother; her husband (Jerome Dempsey) is an earthworm. To secure her rise to power, she coaxes him into contracting elephantiasis, which the natives regard as a symbol of regal divinity. He is a king in name and pain only, as she promptly betrays him with a kind of virility totem, a bare-torsoed American from Marlbrando country. Deserted by this lover at play's end, the white queen faces beheading...

Author: /time Magazine | Title: Theater: Blood Pudding | 2/10/1967 | See Source »

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