Word: surrounding
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James Brown's "Red Zip," for example, uses Kenneth Noland's ruler-straight horizontal stripes. The painting concerns itself with color relativity-two burgundy stripes surround a red one, two reds an orange, and two oranges a yellow, reading down the canvas. Alex Packer's "Blues Progression" is a similar investigation of a hue family on a flat plane. His acrylics run from red-violet through aqua. But Packer's three-paneled work attributes more importance to form than does James Brown's-stripes end in curved edges, and three vertical stripes are halved in the last panel, leaving...
...Priests should be considered like all other men," contends Sophia Loren. An "occasional Roman Catholic," she is "convinced that, once married, they would be better integrated in life, more capable of solving problems which surround them." By no great coincidence, the actress's next film is The Priest's Wife, in which she falls in love with a handsome cleric played by Marcello Mastroianni...
...small sharks, sea turtles, moray eels and dozens of other creatures that dodge in and out of a huge simulated reef. The visitor can peer into the tank either through a vatlike opening at the top or through the glass walls as he walks down the curving ramps that surround it. The layout is so unorthodox that it seems more like an undersea version of Frank Lloyd Wright's spiral-shaped Guggenheim Museum in New York than the traditional aquarium of low-slung rectangular tanks...
...Marchéville's legal grounds seem as impressive as the 430 acres that surround his château. The building is not visible from any public vantage point, but the proprietor sells tour tickets for 63?. Buffet, who made a preliminary sketch from the edge of the moat, presumably gained entrance by purchasing a ticket-with a warning in both French and English: "Taking pictures outside is tolerated, but unauthorized commercial use of films, negatives or any documents will be legally prosecuted...
...reviles our bourgeois hero, generating a crowd and a cop, who tries to open the car trunk in which the hero has hidden a corpse. While this threat of exposure is specific, the situation is more significant as a direct metaphor for the hero's emotional state. People surround him pointing and shouting; the possibility of escape decreases with every second. In an earlier Chabrol the metaphor would first have been amusingly demented, and only on second thought serious and meaningful. In La Femme Infidele the balance has shifted and the incident is only touched by Chabrol's perversely anarchic...