Word: susane
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...important thing about this day is that people know that we’re here to talk to,” she said. Distributing pins that read, “You can tell me your story—I’m listening!”, MHAAG co-chair Susan I. Putnins ’08 said that peer-to-peer discussion is an important step toward mental health. “It’s great that students have UHS and the BSC, but usually the first person you talk to when you have a problem is a friend...
...Telling True Stories” is a collection of essays derived from the five annual Neiman Conferences on Narrative Journalism held from 2001 to 2006. Hosted by Harvard’s Neiman Foundation for Journalism, the conferences allowed practitioners of narrative journalism—including Tom Wolfe, Gay Talese, Susan Orlean, David L. Halberstam ’55, and Malcolm Gladwell—to offer their best or most concise advice to audiences of aspiring journalists. A full 91 of these presentations are collected in “Telling True Stories.” Contradicting and disagreeing with one another...
...there certainly were a lot of them. Director of Harvard College Women’s Center Susan B. Marine wrote in an e-mail “I can’t remember the last time such a large, diverse, and engaged group of students came to an event on a Thursday night...
...they do in fact exist. “The model for repressed memory is extremely complex, and it’s possible that any examples of the disorder before 1800 are simply not elaborate enough to satisfy the defined criteria,” Schacter said. Professor of Comparative Literature Susan R. Suleiman, who is teaching “Comparative Literature 257: Trauma, Memory, and Creativity” this semester agrees that the criteria may be too exclusive. “There are plenty of examples of characters before 1800 being enticed by the devil and losing memory as a result...
...clarify the subtle shifts between sentiments. In one especially memorable section, the dancers, cast in a bluish light, simulate swimming motions in the air. The only disappointment of the work is not in the dancing, but in the singing. The live duet between soprano Sandra Patrikalakis and contralto Susan Larson often detracts from the beauty of the choreography; overall, however, the piece is effective. The ending is particularly creative, making use of a tower built by the dancers from wooden blocks and topped by an illuminated, reflective sphere. The lights dim with the dancers intensely focused on this shining ball...