Word: susannah
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Chua and one of her roommates, Susannah Gardiner, wanted to know what it felt like to be obese. So one night at 3 a.m., they stuffed pillows in their clothes and put on their down jackets and went jogging. Now they know what it feels like to be obese. They eat less at the Union these days...
...Ruby from Utah walks into "any 42nd Street Theatre" and announces she wants to star in a Broadway show, Ellen Zachos' wide-eyed insouciance insures Ruby will make it big in show business. But first the nasty leading lady of the show about to open that night, Mona Kent (Susannah Rabb), must be eliminated, done neatly when the public-works projects of the W.P.A. force the play-within-the-play to open on a battleship, where Miss Kent succumbs to sea-sickness. And of course Ruby has to fall in love along the way; one of those shore-leave sailors...
MONA KENT deserves her happy ending; Susannah Rabb maker even selfish bitchiness appealing. Rabb isn't as good a singer as Zachos or Reed, but David Edelman and Penny Outlaw, the musical directors, have cleverly arranged her songs so she can talk her way through the hardest parts. After all, it's in the script that the ingenue should sing better than the fading star who got where she is on her sex appeal. Rabb brings a glorious cattiness to her role--drawling "I'm sure" when poor Ruby stammers out her name--and dances with the proper verve...
Laura Tweedle Rambotham (Susannah Fowle) is the new girl at the Ladies' College, where the daughters of Melbourne's elite pass their time giggling over passages from the Song of Solomon, gorging themselves on "scrummy" (scrumptious) scones and honing their Olympian disdain for anyone not of good family. The school is a microcosm of colonial society: the rich Anglified girls lording it over a poor Aussie with a quick wit. Laura doesn't fit: she is too thin and gawky, too smart and eager. In an attempt to see Laura's world through her eyes, Director...
...Festival jurors (among them Actress Susannah York and Indian Director Satyajit Ray) insisted Apocalypse split honors with The Tin Drum, an adaptation of the Günter Grass novel by West German Director Volker Schlondorff (The Lost Honor of Katharina Blum). It was the first time since 1973 that the Golden Palm had been awarded to two films. Some boos and jeers greeted the announcement of the decision. Cynics also noted Apocalypse did not have to contend with two popular films, Woody Allen's Manhattan and Milos Forman's Hair, both of which were screened outside of competition...