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...neurologists as silly women who act up to get attention, suffer at worst from a "wandering womb." Freud doubts the diagnosis, suggests that hysteria proves the existence of unconscious thoughts. Most of his colleagues laugh in his face, but Dr. Josef Breuer (Larry Parks) describes a hysteric named Cecily (Susannah York) who relieved a symptom simply by talking about what caused it. Freud takes over the case. And so begins a vastly exciting drama of detection, in which the audience simultaneously sees a lurid mystery unfold and a momentous theory develop. Following his patient's lead, Freud successively discovers...

Author: /time Magazine | Title: Cinema: Papa of Psychiatry | 12/28/1962 | See Source »

Copley never went back to America: he became a highly successful member of the Royal Academy. Little Susannah, who sits in her grandfather's lap, was to die of scarlet fever at the age of nine. John Singleton Copley Jr., shown embracing his mother, became Lord Chancellor of England. One of his sisters (at right, in the painting) devoted her life to him, dying a spinster at the age of 95. The other, Elizabeth, the determined little figure standing in the center, went back to America. She married a Bostonian, as did her daughter Martha, who, as Mrs. Charles...

Author: /time Magazine | Title: Art: Great Acquisitions | 6/8/1962 | See Source »

Loss of Innocence. Rumer Godden's novel The Greengage Summer becomes a charming thriller of sensibility, in which Susannah York provides a memorable impression of what Eve was like when the serpent first began to whisper...

Author: /time Magazine | Title: Cinema: Dec. 22, 1961 | 12/22/1961 | See Source »

Loss of Innocence. Rumer Godden's novel, The Greengage Summer becomes a charming thriller of sensibility, in which Susannah York provides a memorable impression of what Eve was like when the serpent first began to whisper...

Author: /time Magazine | Title: Cinema: Dec. 15, 1961 | 12/15/1961 | See Source »

...Musty Museum. Her repertory there was as unorthodox as her career-heavy on modern works, notably Floyd's Wuthering Heights and Susannah, both of which she introduced. Although she knew that "no one pays much attention to the artist" in modern works, she continued to sing them because she believed that "no opera house should be a musty museum." Her conviction paid off: in a reversal of form, which usually finds U.S. directors hunting for stars in Europe, the Vienna Staatsoper heard her, shortly after gave her a contract. That merely proves, says Soprano Curtin, that singers with Made...

Author: /time Magazine | Title: Music: Made in the U.S.A. | 12/1/1961 | See Source »

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