Word: suspensionn
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Harbutt wants to use his photographs to compose an epic tale, not merely to document. Classic photographic studies have relished the surfaces and appearances of things; they have tried to weave a dialectic between the "reality" of the subject of the photograph and the suspensionn in time and space--in short the "image"--with which the camera has rendered the subject. But Harbutt's pictures are not fundamentally concerned with their subjects. In his Introduction, Harbutt says that the pictures in the book are only the "images to which I had the response: 'Yes, life's like that,' "They...
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