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...Maxine Waters, who was among the first to take up Webb's reporting as a political cause, has reaffirmed her belief that the basic story is sound and has vowed to continue pressing for congressional hearings. Says Los Angeles city councilman Mark Ridley-Thomas: "There is a lot of suspicion that there was some truth associated with the claims in the story. Frankly, those suspicions will not go away...

Author: /time Magazine | Title: NOT-SO-HOT COPY IN SAN JOSE | 5/26/1997 | See Source »

...teeth with the likes of Ma Rainey and Cab Calloway. Doc ?s 91. The tunes here, writes TIME?s Bruce Handy, are standards, many of them -- like Black and Blue -- part of Louis Armstrong?s repertoire; all are played in a straight-ahead New Orleans style. But one?s suspicion that the result might be dutiful and dull, the musical equivalent of a five-part series in the New York Times on wage stagnation, proves groundless. ?Doc Cheatham & Nicholas Payton? rescues its idiom from both the dead end of strict revivalism and the cornier precincts of Dixieland, reinvesting it with...

Author: /time Magazine | Title: Weekly Entertainment Guide | 5/23/1997 | See Source »

...Puritans weren't alone in their suspicion of the icon. The next wave of settlers in the Northeast, the Quakers, led by William Penn, despised most arts. Music was a distraction, poetry (beyond the simplest hymns) a snare. So the lack of Quaker painting is hardly a surprise, though some artists--most conspicuously Benjamin West--came from Quaker families and left the faith. The only painter who lived and died a Quaker was the Philadelphia "primitive" Edward Hicks (1780-1849), and he felt moral qualms about...

Author: /time Magazine | Title: SEEKING THE SPIRIT | 5/21/1997 | See Source »

Like it or not, by 1965 Manhattan was the center of Western contemporary art in terms of collecting power, museum clout, promotional and dealing skills and, not least, the amount of talent stacked up in it. The old, genteel American suspicion of the new had vanished. The circuit with the worship of newness in the larger culture had closed. The first beneficiary of this situation was Pop Art, the first wholly accessible style of international Modernism--an art about consumption that sat up and begged to be consumed. Its epitome was Roy Lichtenstein, who emerged in the '60s with...

Author: /time Magazine | Title: BREAKING THE MOLD | 5/21/1997 | See Source »

...starts to stutter, or see the slight tremble in the hand that holds the notepad when the survivors tell the reporter to mind his own damn business. Look a little closer, and then the jig is up. Somewhere in the dim recesses of the journalistic soul lies the horrible suspicion: this is really a pretty shallow--and maybe unseemly--way for a grownup to make a living...

Author: /time Magazine | Title: THE NEWSEUM: EDWARD R. MURROW SLEPT HERE | 5/19/1997 | See Source »

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