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...true story, The Vagrants is a bleak masterpiece, written without sentimentality, its anger a cold, controlled fury rather than a shrill rage. The surface of its unshowy prose disguises an enormous achievement for the realist political novel. Li's relentless calibration of the cost paid by the innocent to sustain a dehumanizing and brutal sociopolitical order marks it as a milestone in the literature of oppressed, extinguished lives...

Author: /time Magazine | Title: Rage Against the Machine | 4/6/2009 | See Source »

...Conlan, security analyst with The Irish Times, who claims the weapons used by the Real IRA to murder the two British soldiers in County Antrim last month were supplied by Dublin drug gangs. "[The dissidents] are cynically manipulating latent republican feeling to cover their own criminal activities and to sustain them...

Author: /time Magazine | Title: Sectarian Tension Returns to Northern Ireland | 4/4/2009 | See Source »

...We’re just trying to figure out how to sustain the core parts of our programs,” Faust said. “I’m delighted that we were able to increase stipends for graduate students, but we’re going to have to monitor very closely the changes we have to make...

Author: By Marianna N Tishchenko, CRIMSON STAFF WRITER | Title: Faust Presents GSAS Issues | 4/3/2009 | See Source »

...doing so, Lind persuades the reader to see the world more and more through Bachmann’s eyes as he stumbles about in a mental haze, taking in objects and people like a perverted man-child. This fantastical, enchanted narrative, however, proves difficult to sustain. Lind begins to lose a little of his earlier momentum in the second half of the novel, particularly as Bachmann encounters even more cruel people and more frightening situations. Bachmann’s dogged persistence in finding a battalion is also aimless and repetitive, and while this is undoubtedly a result of his mental...

Author: By Jenny J. Lee, CRIMSON STAFF WRITER | Title: A Nazi Lost in the 'Concrete' | 4/2/2009 | See Source »

...gatekeepers between themselves and their first feature-length films. It’s also the medium to which auteurs have the luxury to return after a career of successful feature films—an opportunity, perhaps, to experiment with scripts and styles that wouldn’t necessarily sustain a feature or that better suit a shorter narrative arc. In the auteur’s case, however, the rules of the young entrepreneur still apply; short films, in themselves, are not commercially viable. The chance for exposure, then, comes in much the same form that it does for the short...

Author: By Ryan J. Meehan, CRIMSON STAFF WRITER | Title: Tokyo! | 4/2/2009 | See Source »

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