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...always enchained in his social institutions. And at the end, as Mathieu returns to his factory, the camera returns to the philosopher's statue, suggesting that little has changed, that these idealists will never put their dreams into effect. Only their hope for a future world will sustain them. And a shot of Jonah in 1980, a small boy scribbling on a now-faded mural of the lunatic group, confirms that hope--he turns an impish smile to the camera, his rosy cheeks promising that somehow the future may be different...

Author: By Gay Seidman, | Title: Out on the Fringe | 1/5/1977 | See Source »

...traditional values of bourgeois society; but it offers no hope for an immediate revolution. The characters are touched with a delightful madness, but their lunacy is about as helpless in the face of the establishment as it is hopeful. Their illusions are all these refugees have to sustain them; but only the distant future offers a way out of the twisted present...

Author: By Gay Seidman, | Title: Out on the Fringe | 1/5/1977 | See Source »

...choice of the star was more appropriate than the ancients knew. Like the infant whose birth they symbolize, stars, by living and dying, enable whole new worlds to be born. Conceived in the frigid darkness of space, stars during their lives produce the elements that make life possible and sustain it. When they die, they sow these substances like seeds across the heavens. The elements eventually become part of new stars and planets. Thus in death there is rebirth...

Author: /time Magazine | Title: STARS Where Life Begins | 12/27/1976 | See Source »

...tells the perhaps n ot untypical story of one Puritan's growing tolerance for free expression, resulting in part from his own foray into sexual philandering. The sexual peccadilloes of Basil Litchfiled--who lives with a half-crazed wife and hides his homosexual yearnings from his Unitarian colleagues--also sustain dramatic interst...

Author: By Julia M. Klein, | Title: Behind every great man | 12/8/1976 | See Source »

...material is packed with possibilities, but in most cases the execution of ideas is sloppy and unimaginative and the tone is annoyingly self-congratulatory. Concepts clever enough to sustain several paragraphs are stretched into five page disasters. Here are some classic examples of the calculated groan...

Author: By Ruth E. Liebmann, | Title: Titters | 12/8/1976 | See Source »

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