Word: sustainers
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Dates: during 1970-1979
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Some of the Watergate myths have already been dispelled. For example, no amount of invective or evasion from Ron Ziegler could continue to sustain the claim that Watergate was a "caper" pulled off by seven crazies out on tout who just happened to be employees of the CREEP. That myth is now as "inoperative" as Mr. Ziegler. Yet most of the Watergate mythology remains and much of it is widely believed...
...jackrabbit starts but uses only half as much gasoline as the sports car. Picture Researcher Suzanne Richie has begun weaving blankets for friends on a foot-powered loom in her apartment, and Nation Reporter-Researcher Sally Bedell no longer leaves a 75-watt bulb on in her apartment to sustain her exotic $75 dracaena house plant. For Business Writer Jack Kramer, a former London resident, economizing on energy is old news. "The English advise one to gravitate toward rooms full of warm bodies and drink lots of warming spirits, two energy-conserving principles that rind their ultimate expression...
...Egyptians are anxious to get the formal peace conference under way by about Dec. 9, the date Kissinger originally proposed, in order to sustain the diplomatic momentum created by the war. The U.S. is also anxious to get the meeting started, so that it can argue to the Arab oil-producing nations that they might just as well step up the flow of oil while the conference is in progress...
ENGLAND MADE ME is extracted-painfully-from a 1935 Graham Greene novel about moral and political decadence in Germany before World War II. The excellent Peter Finch appears as a brassbound industrialist named Krogh who traffics with the Nazis to sustain and increase his fortune. Michael York, who apparently wandered in from Cabaret still wearing his costume, impersonates the brother of Krogh's mistress (Hildegard Neil). There is much solemn and oblique conversation about impending crises, and the feeling prevails that the director, Peter Duffell, was rather too impressed with The Damned. There is, however, a splendid supporting performance...
...novelty were enough to sustain a movie, The Triple Echo could go far. But novelty is about all it has. Director MIchael Apted is so concerned with making the oddness of the script believable that he never really takes advantage of it. The movie is never weird or funny enough, never frightening or suspenseful. It does not seem especially outlandish either, which is another mistake. Even kinkiness is academic here. Glenda Jackson seems impatient, while Oliver Reed goes about with his cheeks puffed out, as if taking a sobriety test with an imaginary balloon...