Word: suzanna
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...THIS END, John Hurt, as Winston, is also marvelous. Previously John Merrick in The Elephant Man and the fool in Olivier's King Lear, Hurt is the archetypal common man, his face a veritable roadmap of toil and suffering. His love scenes with the fresh-faced Suzanna Hamilton (Julia) are as tenderly pathetic as the tiny, dilapitated room in which they take place. He is dwarfed by a huge video screen as he sits hunched and writes in his diary, an action that seems both puny and heroic. Throughout the film, Hurt never loses that peculiar combination of hope...
John Hurt, for example, plays Winston as if he were suffering the last stages of consumption; repellent in his grayness and enervation, Hurt is oddly compelling too. As Julia, Suzanna Hamilton plays her harshly lighted love scenes with a nakedness, both physical and emotional, that is astonishing in its neediness. By making the romance more explicit, Radford gives it a pathos and a symbolic weight that are, if anything, more affecting than in the novel. Finally, the late Richard Burton as O'Brien, the couple's betrayer and interrogator, gives a last performance that is all silky corruption, perfumed malice...
...begins deliberately accosting passerby on the rainy street with an "accidental" jostle and a subsequent "Why, you're the last person I expected to see!" Someone finally falls for this deception--Thomas E. Bates(Denholm Eihott) a harried middle-aged writer of mass-produced inspirational verse. His daughter Patricia(Suzanna Hamilton)has been severely brain damaged by a hit-and-run accident four years previously, and is now taken care of by her mother(Joan Plowright). Pretending to be an old friend of Patricia's named Martic Taylor, the young man gradually insinuates himself into the Bates weary household through...
...Fogg, which received the award last month, plans to use the funds to organize a group of corporate sponsors to meet rising operation costs, Suzanna J. Doeringer, deputy director of the Fogg said yesterday...
...down a comedy about three airline hostesses who share a Paris flat with Tony Curtis. As a prodigiously oversexed American newspaperman, Tony has obviously never met a deadline, but he does keep busy checking timetables, the better to enjoy, one by one, his "fiancées" from British United (Suzanna Leigh), Lufthansa (Christiane Schmidt-mer) and Air France (Dany Saval). "You don't need a housekeeper-you need a Univac," snaps Tony's maid-of-all-work, Thelma Ritter, who schlumps through the premises changing linens, juggling menus, and scornfully polishing off a collection of stale sex jokes...