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...audience be able to at least know who is telling them what, so that if they're interested, they can go and check the guy out after the film. If this were a film about South Africa, it would make a big difference if one speaker was Helen Suzman and another Prime Minister Vorster. Political personalities like Kenan and Harkavi are not just ordinary Israelis. They both have very heavy political and ideological stakes in what happens in Israel. Why aren't we at least given a clue as to what interests they may be trying to promote...

Author: By David R. Caploe, | Title: A Breach of Promise | 8/9/1974 | See Source »

...Wimbledon playoffs: Claire Bloom and Jane Fonda with their separate versions of A Doll's House, five versions of The Three Musketeers before the cameras in Europe, and two versions of Shakespeare's Antony and Cleopatra playing London. The more traditional of the two starred Janet Suzman (Nicholas and Alexandra). The other, a full-blast 20th century version, brought Rebel Vanessa Redgrave on stage. The actors' props were revolvers, hand grenades and Ronson lighters. Antony was a cigar-smoking swinger sporting a white cravat. Dominating all, even without the aid of her three-inch heels, was Vanessa...

Author: /time Magazine | Title: People, Aug. 20, 1973 | 8/20/1973 | See Source »

...Parliament, the opposition United Party described the wide gap between black and white wages as "a source of shame." The tiny Progressive Party's only M.P., Mrs. Helen Suzman, demanded: "How much does it take to agitate a black man who has to live on $14 a week?" Labor Minister Marais Viljoen promised that the government would introduce legislation to "encourage" white employers to make greater use of "works committees" to discuss problems with black employees. In a surprisingly conciliatory statement, Prime Minister John Vorster strongly implied that employers had better cooperate. "They should not view their workers merely...

Author: /time Magazine | Title: SOUTH AFRICA: Usufu! | 2/19/1973 | See Source »

...begins as an ordinary day in a distinctly uncommon marriage. Bri (Alan Bates) comes home to his Bristol flat after a typically wretched time teaching school. His wife Sheila (Janet Suzman) has tea waiting and dinner warming in the oven. They joke together, Bri tries to coax Sheila into bed, and their only child comes home from school. She is called, with a mixture of brutal humor and despair, Joe Egg. She is autistic, beyond help and hope-a child barely aware of her own life who slumps in her high chair like a boiled vegetable...

Author: /time Magazine | Title: Cinema: Just Alive | 6/19/1972 | See Source »

...perform a couple of vaudeville turns, imitating the Mitteleuropäischer doctor who first diagnosed the child's brain damage and a batty vicar who tries to help. Bates pushes for the comedy as he does for almost every other emotion, and the strain shows. Miss Suzman, who last appeared as Alexandra in Nicholas and Alexandra, is good when Sheila is tough and tart but bad when she is tender. When she recalls finding Joe playing with building blocks in a way that just for that one moment gave faint promise of normality, Miss Suzman recites the monologue...

Author: /time Magazine | Title: Cinema: Just Alive | 6/19/1972 | See Source »

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