Word: suzman
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Great white liberals have always been a rare species in South Africa. Their ranks, diminished by the death of author Alan Paton at 85 a year ago, are about to be thinned again. After 36 years of combat against the forces of apartheid in Parliament, Helen Suzman, 71, announced last week that she will not seek re-election in September...
...years Suzman, a former university lecturer in economic history, was the only liberal opposition member of the house, making her the Progressive Party's spokeswoman. She slashed at purveyors of apartheid, once advising government ministers that they could learn something about their country if they would attend a funeral in a black township, "heavily disguised, of course, as human beings." But she opposed foreign economic sanctions against South Africa, arguing that they hurt blacks and drive whites into a siege mentality...
...brilliant as the man who created him. Marlow, who relishes the cheap irony that his name echoes that of Raymond Chandler's famed sleuth, is a failed novelist hitting 50 with a terrifying thud. His career has been sidetracked by illness and bile. His marriage to an actress (Janet Suzman) is just an awful memory. He lies in a London hospital with psoriatic arthritis, a crippling condition of the skin and bones. The pain and the pain-killers force Marlow's mind down strange old country lanes and treacherous culs-de-sac. Figures from the past make cameo appearances...
...Kevin McNally), son of the murdered war hero Agamemnon, pursues his cousin Hermione (Penelope Wilton), daughter of Helen of Troy, who in turn loves Achilles' son Pyrrhus (Peter Eyre). But Pyrrhus, although betrothed to Hermione, has insulted his fellow Greeks by offering his heart and throne to Andromache (Janet Suzman), widow of the Trojan prince Hector, and by sparing her son Astyanax, the last male of the royal house of Troy...
Andromache lives only for her child and the memory of her husband, and of all the passions avowed in the opening scenes, only hers is steadfast. As portrayed by Suzman, Andromache's immersion in the past is not weak or dreamy but sexy and compelling. In the end, the enslaved queen rules over the city, and her son has been declared the rightful future king of Troy. The fickle, feckless others have been destroyed by their excesses: Pyrrhus murdered, Hermione a suicide, Orestes driven mad. Ultimately the production's shortcomings are not important. Racine, Miller and Set Designer Richard Hudson...