Word: suzukis
(lookup in dictionary)
(lookup stats)
Dates: during 1950-1959
Sort By: most recent first
(reverse)
...swivel hips belong to Singer Pat Suzuki, and, like Miyoshi, the chubby Nisei is bouncing through her first Broadway part. Whatever else may be said for or against Flower Drum Song, it brings to Broadway two of the most endearing stars in many a season-surrounded by a fascinating Oriental chorus line that will give the most jaded Stage-Door Johnnies a new incentive...
Study in Contrasts. Wherever they come from, all the girls would get a high Kublai Khan rating. Oddly enough, perhaps the easiest of all recruiting jobs involved the 20-carat stars. Early last spring Rodgers saw Pat Suzuki on Jack Paar's television show and recognized her right away as his stripper, Linda Low. After Miyoshi's Oscar-winning performance in the movie Sayonara, both Rodgers and Hammerstein realized that Mei Li's lines had been written for no one else...
...small step at a time. Pat grasps for it all-hungry, anxious, impatient. Japan-born Miyoshi moves slowly, precisely, with cautious grace; at 29, she is American by solemn determination, but she still lives in the ordered, traditional world of her tight little island home. California-born Pat Suzuki, 28, is American by instinct, chafed by restrictions, careless of customs, and in a hurry. It is possible to see in Pat and Miyoshi the embodiment of the ancient, universal Chinese principles of Yang and Yin-the opposites of active and passive, sun and shadow, fire and water...
Wham! Pearl Harbor. Half the world away from Otaru, in a bumpy California crossroads hamlet called Cressy (pop. 400), chunky little Chiyoko Suzuki began her rehearsals for Flower Drum just 28 years ago. Youngest of a fair-sized Japanese-American family (a brother twelve years older, and two sisters, eight and ten years older), "Chiby" (Squirt) Suzuki was a loner from the start-a kid who seemed to figure she was expected to take care of herself. She went to a two-room schoolhouse, rode horses bareback, learned to swim in irrigation canals on her father's 100-acre...
Flower Drum Song (music and lyrics by Richard Rodgers and Oscar Hammerstein II; book by Mr. Hammerstein and Joseph Fields) proves to be thoroughly professional, has Miyoshi Umeki, Pat Suzuki and other nice performers, has some agreeable dancing, some gorgeous costumes, here proof of a jolly Rodgers and there of a dreamy one. As purely popular musical fare, the show should fare handsomely. But as Rodgers and Hammerstein, it not only lacks the talent of their top-drawer work, it seldom has the touch. Flower Drum Song is passably pleasant in its way, but its way is strictly routine...