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...action (though they have never done so). Stockholm's morning newspaper, Svenska Dagbladet, published a wry cartoon showing a large billboard inscribed with what it called a message from the Minister of Defense: "It is forbidden to engage in war against Sweden during the lockout." Meanwhile, Defense Minister Sven Andersson assured critics that key men in defense posts would be exempt from the lockout...

Author: /time Magazine | Title: The World: Western Europe: The Luxury Strikes | 3/8/1971 | See Source »

Based on Ivan Turgenev's novella, First Love is the deceptively elemental narrative of an adolescent smitten by his father's mistress. "It is a story unusually lit with affection and nature," says Schell. "I decided only one photographer could really do it-Sven Nykvist, the artist who does Bergman's films. When he agreed I knew the picture would happen, and that it would work." Schell's instinct has proved infallible. Nykvist has filled the film with indelible imagery. The sunlight is a featured player of humor and warmth. Interiors seem to exhale melancholy. Weightless...

Author: /time Magazine | Title: Cinema: Robust Sickness | 10/19/1970 | See Source »

...color provides one of the few pleasant aspects of the film. (Bergman's only other try at color proved dismal in All These Women [1964], an unsuccessful sex comedy, and he has avoided it until now.) Cool gold and turquoise pastels predominate in the soft, grainy texture of Sven Nykvist's photography. Bergman wanted a lyrical-but-resigned-to-suffering flavor and certainly...

Author: By Jim Crawford, | Title: At the Park Sq. Cinema Another Look at Anna | 8/18/1970 | See Source »

...effect," says Wrede, "is supposed to come from focusing on details-cadging an extra bowl of food, finding half a cigarette, making a compassionate gesture. We're being very wary of pretty pictures, those Zhivago-style long wide shots." His cameraman is Ingmar Bergman's cinematographer, Sven Nykvist, whose austere lens could seek out the gloom in a travel poster...

Author: /time Magazine | Title: Show Business: Simulating Siberia | 3/2/1970 | See Source »

...through the slalom course. A few even tried the 30-meter jump, which later this month will be used by Olympic hopefuls. Those that tumbled picked themselves up unhurt; Sno-Mat's pliable bristles had cushioned their falls. "Psychologically, Sno-Mat would be better if it were white," said Sven Evenesen, 17. "But I'm happy to ski on anything." Added ex-Olympic Skier Rip McManus, who was coaching the racers, "It's a little slower than snow, but it's a fantastic conditioner. You can't sluff around. Each turn has got to be just right...

Author: /time Magazine | Title: Recreation: Snowless Skiing, Iceless Skating | 11/15/1968 | See Source »

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